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Through his company Heath Productions, this was Richard Widmarks first venture into film production. Directed by his ‘real life’ friend Karl Malden, Widmark’s performance as Colonel Bill Edwards is everything one would interrogate from this talented actor.
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The tale is about a group of Korean POWs who were subjected to psychological torture and physical hardship in an worry to get them trace deceptive statements that the USA was using biological warfare. After months of holding out, the senior officer suddenly capitulates and begins to try to indocrinate his men with Korean propaganda. One of the men dies mysteriously. On their repatriation to the USA, it is the job of Colonel Edwards to obtain out exactly what happened.
The film is place on a military sinister, Governor’s Island,Fresh York, though the introduction and later ‘flash backs’ win dwelling at Camp Gee Gee in North Korea.
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Edward’s investigation includes two main characters, the senior officer Major Cargill (Richard Basehart) accused of treason, and Lieutenant Miller (Rip Torn) a main scrutinize. There are many facets to this investigation and Widmark plays each with equal mastery. He uses gentle coaxing with witnesses at first, then when this fails and he is set under pressure from his C.O. to run things up, he builds up the pressure to angrily try and salvage at the truth. There is a captivating and tender scene when Edwards visits Cargill’s wife (June Lockhart) to try and gain out why her husband refuses to defend himself against the charge of treason.
The films serious tone during the investigations is relieved for filmgoers by scenes revealing the amicable and real relationships Edwards has with his team – legal hand man Sgt Baker (Martin Balsam) and secretary Sgt Evans (Dolores Michaels) .
The finale comes when Edwards brings Miller and Cargill together once again. Cargill breaks down and tells the harrowing streak of events that lead to his breakdown.
“You can’t request a man to be hero for ever – there ought to be a time limit.”
This is a view provoking film with a difficult and at times unpalatable subject matter, setting personal safety against patriotism. It is a film well worth watching for this alone, one well-behaved of a order viewing, and for Richard Widmark fans it is a must.
A 1957 film based on whether a Korean POW should be tried for treason based on the evidence known to the US army investigator (Richard Widmark) the movie structure reveals strongly its theatre play origins but is arresting for a number of reasons:
1. The grasp on what constitutes treason based on how POWs were treated by North Korea was given its time of release at the height of the Frosty War a very gallant narrative line.
2. While Richard Widmark’s role proves acting the heavy and not the superior guy would always be his forte the performances of Richard Basehart as the accused major and Martin Balsam as the closed minded adjutant to Widmark’s Colonel explain that each were well good of greater things though fate was ultimately kinder to Balsam in this regard in their respective careers.
3. The film is one of the two movies directed by the ever common actor Karl Malden (Widmark as co-producer may have had a say in his choice) and one is left feeling sorry he did not retract up the directors chair more often based on this first outing.
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