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I’m a tremendous fan of fair about everything musketeers related (examine at my other reviews), and this is my common gigantic camouflage adaptation. Kelly is easlily the most fun D’Artagnon to notice and the sword play in this movie is satisfactory with his athleticism.
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Of course, anyone who read the fresh would know that though it includes sword play it is the charaters and spot that travel the memoir along, so in that respect this movie does a great better job than most Musketeer adaptations. It stays fairly cessation to the new space and though there is runt time spent developing their personalities the Three are more consistant with their literary counterparts than in, well really, any of the other adaptations.
Over all one of the most fun adventure movies I’ve seen.
This is a fun film bulky of action and comedy. The players are improbable – Gene Kelly as D’Artagnan, Van Heflin as Athos, Gig Young as Porthos, Lana Turner as Milady DeWinter, June Allyson as Constance, Vincent Note as Cardinal Richelieu and more. Kelly is delightfully acrobatic, jumping around as if his legs were coiled springs, swinging on ropes, fencing like a master – he is a joy to notice – he puts Erroll Flynn to shame. Van Heflin and Gig Young are perfect as his comrades – gallant, dashing, as well as foolish and impetuous. Lana Turner is the radiant and uncertain Milady DeWinter who seduces men to finish the Cardinal’s purposes and can be deadly. June Allyson is the virtuous and hapless Constance. Vincent Tag is marvelously heinous as Cardinal Richelieu – he uses people like chess pieces and even when thwarted he doesn’t wish to extinguish D’Artagnan but to recruit him. The King is Frank Morgan (the Wizard in the Wizard of Oz), a bumbling but good-hearted king who doesn’t quite know what is going on. The costumes and sets are breathtaking and the Technicolor is as top-notch as it gets. There are some heavenly exterior actions scenes along the ocean (undoubtedly the Pacific but serene handsome) .
It is Kelly who pulls the report together, however. He seems to be everywhere at once, so fat of energy and life. Although he is a bumpkin from Gascony he is more than a match with a sword for any man in Paris be he one of the King’s Musketeer or one of the Cardinal’s guards. He does quite a lot with his eyes and his facial expressions, a bit overacted occasionally but composed quite palatable. Lana Turner has top billing and she is deliciously graceful with a seemingly endless wardrobe of fabulous costumes From the first scene, however, this movie is all Kelly’s – it seems a bit unusual that he is so salubrious in what is primarily an action film – but have no doubt he is completely convincing as the most athletic and acrobatic D’Artagnan ever seen on the cover – he is a bit like Burt Lancaster in “The Crimson Pirate” but without the trampoline. Van Heflin has the most serious role as the nobleman-turned-drunken musketeer – lamenting the loss of his treacherous wife and then trying to warn D’Artagnan of the misfortune of Milady, who loves him not and is far more hazardous than any of his swordman adversaries.
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This is a version of this often-told legend where the film makers “got it factual” – there is plenty of action, comedy, romance, intrigue, villainy, heartbreak all going on seemingly at once. The characters are portrayed closely to the device they were written by Dumas and this is precisely how they should be played.
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