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There was always something about “The Prowler” that made it stand out among the other 80′s slashers. It’s a fun and scary movie that features some of F/X maestro Tom Savini’s most homely work. The runt town setting, the sprawling mansion and dorm, the innovative backstory all manufacture a colossal atmosphere. The right menacing figure of the Prowler himself is objective down moral creepy, and the novel kills enthralling a pitchfork, a bayonette and other spellbinding instruments will sustain terror fans blissful. The DVD treatment is wonderful, and I really enjoyed Tom Savini’s tedious the scenes peruse at some of the tremendous effects. If you are a fan of the dismay genre then this movie is a must gape. The only two drawbacks to the film; the Prowler looks menacing, but he doesn’t instill that sense of panic Jason or Michael posess. And the musical accumulate is kind of flat, not really helping to get suspense, unbiased a trilling violin that kind of gets in the contrivance. But those two minor complaints shouldn’t hold you from enjoying a large old-school slasher. And by the plot….why do so many people who have reviewed this movie feel the need to give away the entire tale? I mean if you are not distinct what “The Prowler” is about…unprejudiced explore at the DVD camouflage art….there aren’t too many folks out there that will contemplate this is a romantic comedy!! If you aren’t familiar with this movie, don’t read further reviews some of which own quite a few spoilers!
Joseph Zito’s relentlessly cruel THE PROWLER is one of the very few memorable films to have emerged from the gigantic wasteland of 80′s era slasher cycle crud. Like THE BURNING and MY BLOODY VALENTINE, THE PROWLER tells an undeniably cliche ridden yarn but compensates with memorable characters, decent production values, a surprisingly effective musical obtain and, of course, some of the most inventive and grotesquely realistic execute sequences in the genre. In fact, this may very well be the most violent movie of its ilk ever made. Despite its ferocious gore, this film somehow managed to pick up an uncensored theatrical release (with an obviously bogus “R” rating) .
While there are no actual surprises on hand for the scare aficionado, THE PROWLER is so slickly filmed by staunch craftsmen that it naturally has instant appeal as one of the only competently directed and watchable movies of its kind. If there is such a thing as a “classic” slasher, THE PROWLER is surely one.
The Blue Underground DVD is a highly recommended consume for fans of this terrific diminutive gorefest. The film is presented in widescreen format (1.85:1) in a nice, intelligent transfer, looking distinguished better than it ever has before. Disc extras include trailers, a poster/stills gallery and a fun but brief behind-the-scenes videotaped gawk at Tom Savini’s awesome makeup effects. Best bonus of all is an occasionally raucous audio commentary by Savini and director Joseph Zito, in which the two apparent friends part informative and exciting tidbits about the film’s often chaotic production.
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