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Watch The Midnight Meat Train Movie Online.
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“Life is unprejudiced a murdertrain a-comin’.” -Dethklok
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Japanese cult cinema prodigy Ryuhei Kitamura has done it again. But this time he has taken his anarchic genius and tossed us Westerners a bone by directing this American film based on a short record by Clive Barker. The result is spectacular at times and bright throughout. Kitamura is best known for his B-classic Versus and best loved by me for his fresh samurai masterpiece Azumi. He has never made a unpleasant film and remains a director whose latest works I anticipate with baited breath. In the past, the biggest problems with his films have been budget-related, though he proved he can accomplish a decent flick with only two accurate cast members in a single room with almost no special effects in Aragami: The Raging God of Battle. Well, with a modest (but tall for him) American budget and a damn shapely cast including Brooke Shields and Vinnie Jones (he’s Serene the Juggernaut, b!+ch!), Kitamura has staked his claim in Western fright and I like what I peruse. A lot. In fact, there are shades of The Texas Chainsaw Massacre throughout. This may never be quite the classic that one is, but it is almost guaranteed to win a cult following of its contain.
Our protagonist is Leon, a photographer on the verge of success with a fair girlfriend. One night he happens upon a dizzying beauty being assailed by a group of thugs in the subway. After bravely confronting the gang and using his head to speed pain while getting some outstandingly menacing photos in the process, he watches the girl salvage onto the behind night divulge. She is never seen again. The girl turns out to be a current model, and when her disappearance is celebrated by the paper, Leon becomes obsessed with the case. Turns out folks have been disappearing along that route since at least the 1800′s. What follows is a riveting mystery with plenty of violence, a classic villain, and a twist that is genius even if the foreshadowing for it comes on too strong and gives it away.
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Vinnie Jones is intimidating in his no-lines performance as Mahogany, the towering meathead of a butcher who rides the unhurried stutter and cleans house before the last terminate with a disturbingly gleaming hammer in one hand and a meathook in the other. His carnage is something to contemplate and Kitamura’s unparalleled perceive for jaw-dropping shots that astound with their creativity and downright coolness is set aside to expend on several occasions. One victim’s head goes flying after taking a particularly brutal hammer blow and it is shot entirely with what I’m going to call a decapi-cam. This is my shot of the year. The other contenders are also from this film. The climactic battle aboard the snarl could have been another typical bad-guy-vs-good-guy slugfest, but Kitamura has the camera swooping 360 degrees around the hiss as we plan the fight through the windows and it comes to a halt honest as the combatants bust through the glass true in front of it. This is the kind of creativity American filmmakers are lacking these days. There’s another fight early on where what has to be the most militant-looking sunless man I’ve ever seen steps aboard and mocks Mahogany with a gut-busting quote from Forrest Gump that had me worried I was going to wake up my wife across the house. “Midnight Meat Bellow” may have a corny-sounding name, but it delivers the goods big-time. There’s less nudity than I would have liked considering what a sexpot Leon’s woman is, but I’ll trade some brief nude shots for hammer decapitations any day.
Aside from some sure filler, a few cutaway shots when I was screaming for more gore, and the excessive foreshadowing -which starts stunning early as genius but begins pounding you in the face as the film approaches distinguished mass- there is diminutive not to admire about this film if you are a fear fanatic. Craven, Carpenter, Romero, and the other anxiety directors have got to be shaking in their boots suitable now because Kitamura is coming on strong with this film. It’s an absolute disgrace that this didn’t come by a wide theatrical release when so remarkable garbage and so many remakes by so many hacks collect millions spent on promotion and become huge successes even if you can’t fetch a single person who will admit to enjoying them. Here’s an excerpt from an article that illustrates my point:
“Clive Barker was inflamed with the LionsGate’s treatment, believing that Lionsgate president Joe Drake is essentially shortchanging other people’s films in order to focus more attention on movies like The Strangers, where he received a producing credit: “The politics that are being visited upon it have nothing to do with the movie at all. This is all about ego, and though I mourn the fact that `Midnight Meat Train’ was never given its chance in theaters, it’s a beautifully stylish, scary movie, and it isn’t going anywhere. People will catch it, and whether they procure it in midnight shows or they collect it on DVD, they’ll pick up it, and in the kill the Joe Drakes of the world will fade.”
Amen.
“Midnight Meat Pronounce” is the kind of new awe that I crave. I’ve been important of Clive Barker in the past as his name plastered across a product often indicates mediocrity, but this film shut my mouth apt and pleasurable. Panic fans owe it to themselves to give this one a chance.
4 1/2 stars rounded up for a bleak ending that somehow made me feel overjoyed.
I caught The Midnight Meat Yelp for free on FearNet On Seek Information From through my cable company. I was shy to observe it available, especially since the DVD isn’t due out for months. Clive Barker can be proud of this film because other than Hellraiser, this is the best flick taken from his stories.
Vinnie Jones when former properly in roles like this, is one scary dude. He only has one line towards the extinguish, but his leer alone says everything his mouth isn’t. Bradley Cooper is likeable as the lead and the rest of the cast is decent.
You gotta appreciate the gore here. It would accomplish any fan of dilapidated school alarm films proud. There was a small CGI worn, but it didn’t really rep in the intention. The visual style and cinematography are very honorable as well.
The only negatives would have to be that some of the dialogue is below average and determined characters do some really lifeless things, but this is a scare movie, apt? It comes with the territory.
The Midnight Meat Order deserved a wider release and will likely salvage a strong following on DVD. One thing is for definite, I won’t even reflect about riding on a subway relate again.
3 and 1/2 out of 5 stars
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