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MACHINE GIRL (aka. One-Armed Machine Girl) is an over-the-top, campy, ultra-violent action film by Iguchi Noboru (Sukeban Boy) . The film is definitely NOT for everyone but will appeal to fans of Japanese cult films with a touch of dismal comedy and unrealistic ultra-bloody violence made approved by Ichi the Killer and even Tarantino’s shapely “Raze Bill”. Folks will either applaud or be repulsed by this film’s execution, but it is a wickedly zigzag, darkly-toned entertainment that knows exactly what it’s going for. The film features famous Japanese bikini model Minase Yashiro in her first feature role, ex-AV star Asami and the splendid Honoka as the Yakuza boss’ curved wife. Do I have your attention yet?
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Plot synopsis partly derived from the help cover:
Ami (Minase Yashiro) is a tough but otherwise average high school girl, trying to lead a normal life with her younger brother. Her whole world comes crushing down when her brother and his friend are killed by ruthless bullies led by a Yakuza Boss’ son. When she goes to earn those responsible, she finds herself in over her head and minus her left arm. Barely surviving, Ami escapes and finds shelter from a fine mechanic and his wife Miki (Asami) who also happen to be the parents of her brother`s friend. They buy pity on Ami’s spot, helping her heal, training her and fitting her with a worthy machine gun where her left arm broken-down to be. She then teams up with the tough mother to ogle vengeance and together they unleash an unholy, non-stop, over the top raze fest against the equally creative machinery of their ruthless Ninja-Yakuza enemies.
The film is a wild blend of 70′s “pink violence” and 80′s super-violent splatter awe that doesn’t steal itself seriously. The film is fleshy of bloody sequences and oddball strange humor that will undoubtedly garner a cult following. It was quite inventive of the filmmakers to rely on “old-school” style violence to conduct the visual blood and gore. Whether this decision was made because of budget constraints or some other factor, it made the film work; from an entertainment standpoint kind of contrivance. The exaggerated gallons of blood complements the film’s action sequences; chainsaw-fu, machine gun-fu, swordplay and brassiere-fu are the film’s many unorthodox style of brutality. The film is an example of an adult-Tokusatsu (Kid’s TV indicate) with the wild blend of action, camp, humor, sci-fi and even panic that plays like a stunt/Gore reveal.
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The film also has some campy ideas that will build you say; “What the heck” as the film makes fun of definite anime-inspired names such as “Desirable Mourner Gang” and “Junior high Shuriken gang” seem attempts to somewhat tone down all the violence and brutality displayed. There are also curved touches of oddball humor with the “sushi fingers” and “tempura arm”. I’ve always wondered how Hellraiser’s “Pinhead” got that look; Miki and Ami were very obliged to indicate how that putrid search for can reach about in a human being.
Sexy Minase Yashiro plays the lead, I’m a exiguous undecided as to how well her first starring performance is. She has the correct school girl study and she has a lot of charisma, but at times she looks a limited awkward with the action sequences. Asami plays Miki and she looks a small young and definitely too icy to be the mother of a teenager. Nude model Honoka adds a lot of eye-candy as the wife of Yakuza boss Kimura. The woman is curved in her maintain design, she has that no-nonsense appeal further accentuated by Honoka’s sheer sexiness. She is seductively, yet creepily arresting as she displays her “Drill Brassiere” as an added campy explain of villainy. Shimazu Kentaro is the Yakuza Boss who seemed to have been based on “Heihachi Yashima” from the “tekken” video game. The whirling and hurling flying razor exciting “bucket” adds more to the film’s twistedly, campy appeal. Boss Kimura an intimidating villain although he isn’t an originally current opinion.
With Ami’s Sailor Moon-inspired outfit, sentai/tokusatsu heroism, references to ninja and Yakuza elements, the film is definitely aimed at anime fan boys and those very initiated with Japanese cinema. The film’s enjoyment requires a very vast suspension of disbelief for its entirety. Consume two cups of “Shoot `Em Up”, three tablespoons of “Darkman” and even “Planet Panic” to two gallons of “Ichi The Killer” and waddle vigorously, then you will have an good conception fair how this film plays out. The film doesn’t prefer itself seriously and if “Machine Girl” is any indication of the filmmakers remove on crooked entertainment, then I’m sold to study “Tokyo Gore Police”.
Recommended for fans of J-cinema and Pink violence [3 ½ ++ Stars]
If arterial spray was a sexual fetish, “The Machine Girl” would be hardcore porn. If cinematic cheese were sincere cheese, it could begin it’s enjoy pizza parlor. If an ultraviolent anime came to life, it would be this film. I haven’t seen a demonstrate like this since Riki-Oh. And at least that one had the restraint to refrain from drill-bra versus chainsaw duels and Power Ranger-esque ninja death squads. But beget no mistake, this is one of the most hysterically obedient times a gorehound can have with a single DVD.
Blood covers the shroud, the heroines, the villains, the floor, and everything else in this film, sometimes to the point where it’s all you can scrutinize. Fingers are made into sushi, an arm is battered and deep-fried, a woman discovers her son’s head in her soup and then vomits as she is stabbed through the mouth from slack, her blood mixing with the extra-chunky puke to pour enticingly onto her son’s disembodied head in the bowl in front of her (OWNED!), and that’s before the giant machine-gun arm comes in! Have I given everything away? Not by a long shot. By this time you’re either in or out, but I’ll give you one more teaser. The Flying Guillotine: corniest martial-arts weapon EVER! Like it.
Get ready to laugh yourself sick…or maybe objective rep sick. Either intention, this is one of the giddiest, most profanely violent, and cheesiest grindhouse films I’ve ever seen. It even comes complete with a bag that could have advance straight out of a 70′s exploitation flick. Deem my faith in Japanese cinema officially restored. This is what I want to gawk when I retract up a movie with a DVD camouflage like this one’s: a Japanese schoolgirl with a ridiculous machine gun arm blow a hole in a guy and then stick the gun through the hole she unprejudiced shot in the guy to shoot a hole in another guy’s face. Is that too remarkable to ask? Director Iguchi Noboru says “HELL NO!”. And God bless him for that.
4 1/2 stars rounded down for some dreadful special effects.
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