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Movie Title: The Last Tycoon The Last Tycoon is available for streaming or downloading. |
“The Last Tycoon” is a thinly veiled retelling of the life of movie mogul Irving Thalberg. Thalberg made an unbelievable slew of motion pictures during his short rein as a producer and studio head in the 30′s. DeNiro’s Monroe Stahr is a mysterious, petrified individual who literally lives only for the movies he’s making. It seems his though-provoking with the cover makes him unable to communicate with the living all around him.
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Writer Harold Pinter’s dialog rhythms only enhances the impression that Stahr is in this world but not of it. Ultimately Stahr’s intense devotion to appearance dove tails nicely with the themes examined in the book. Pinter fleshes out Fitzgerald’s unfinished new nicely although the film has an unfinished quality as well.
As directed by Hollywood and Broadway traditional Elia Kazan (On The Waterfront, East of Eden, A Streecar Named Desire), The Last Tycoon isn’t an easy film to like; many of the characters seem vapid and self serving. In the character of Stahr we have a protagonist who isn’t really “there” at all. Which is precisely Kazan and Pinter’s point; The Last Tycoon is how image overwhelms substance but can’t become a substitute for living.
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Kazan’s direction brings many of these characters to life providing a recent explore into the Hollywood studio system at its prime. Kazan and Pinter provide a lively and disquieting notice into the American life of the glamorous and worthy of Hollywood during its heyday. It’s a gloomy and tragic epic which Kazan manages to inject with composed power.
The transfer is very nice although there are a few analog and digital artifacts. The compression artifacts are minimal, however and probably won’t be noticeable to most viewers.
There aren’t any extras provided. With the cast, writer and director interested you would query there to be something in Paramount’s vaults that could be included as an extra. There’s no audio commentary. Since Kazan was alive fair prior to the release of this film (September 2003) on DVD, I would have notion he might have been asked to provide a commentary after all this was his last film. Additionally, it was produced by legendary independent producer Sam Spiegel with music by Maurice Jarre so from a historical perspective it’s a fairly well-known mainstream film. The Last Tycoon was the last gasp from a generation of film makers and, as such, deserved better.
While not a showcase like Kazan’s earliest motion pictures (he peaked as a film director in the 50′s with On The Waterfront and a handful of other classic films), The Last Tycoon manages to lift the slay of an era and a tragic life in its all too brief 123 minutes with elegance and power.
The Last Tycoon is one of the last vestiges of ragged Hollywood merging with fresh Hollywood. Adapted from the unfinished modern by F. Scott Fitzgerald, it is an effective tribute to a time when the movie industry was in its infancy. As a fan of the recent book I can’t settle whether my familiarity with it made me more inclined to like the film or not. I’ve decided that it did, but I can notice where other Fitzgerald fans would reflect otherwise.
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Robert DeNiro stars as Monroe Stahr, a thinly veiled depiction of film pioneer Irving Thalberg, who is burdened by his overwhelming place as a studio production head, by the loss of his movie star wife, and by his customary heart. While DeNiro’s portrayal is the centerpiece of the film, there are several other elements keen which lend an extra aura of prestige. Directed by Elia Kazan, the film is technically competent, but, as it is based on a work which its recent author left incomplete, the ending is a bit forced and contrived. You can stutter that they had to arrive up with an ending without the resource of the author to create it seamless. To lend additional sparkle, there are appearances by a multitude of stars such as Tony Curtis, Robert Mitchum, Ray Milland, and Theresa Russell who vie for shroud time on the periphery of the main location line keen Stahr’s encounter and subsequent infatuation with an extra, played by Ingrid Boulting, who is his boring wife’s twin. Mitchum in particular does a nice job as the studio boss, but all of them feel underused. If you’re going to effect these people in a film, they should have something to sink their teeth into.
Kazan captures the spirit of the time and area well, but the pacing is listless – sometimes interminable – and sometimes confusing. It doesn’t seem to have that crackle that Kazan’s previous films had, and perhaps the director recognized this and subsequently retired.
While The Last Tycoon represents Elia Kazan’s last directorial concern, it is also principal for featuring the only joint hide appearance to date of Robert DeNiro and Jack Nicholson.
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