The Fall Of The Roman Empire (Two-Disc Deluxe Edition) Movie Streaming
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The Fall Of The Roman Empire (Two-Disc Deluxe Edition) Movie Streaming.
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Martin Scorsese once said about THE Topple OF THE ROMAN EMPIRE that it has the beauty of a lost art. Right, Hollywood can never film a film of this grandiose scale (nowadays CGI would replace those hundred of extras, but CGI can never be as friendly as the precise thing) that deals with profound themes, usually considered to be “commercially unnatractive”. Serene, if cinema is an art invent (and the Oscar people pretentiously call themselves Academy of Motion Describe “ART” and Science), then they should sometime try to create a film like that, or at least honour them when they are made, instead of praizing such well-crafted nonsense like GLADIATOR. Hollywood has forgotten its rich history and heritage. What a shame.
THE Plunge OF THE ROMAN EMPIRE is an intense, worthy drama about corruption of power. Anthony Mann’s meticulous, sharp-edged, and in this case extremely cold-blooded direction powerfully points out how the Roman Empire, at the height of its power and glory, started its degradation and eventually will descend apart. That might happen to any kind of much society –history has proven so–, that when a society gets too noteworthy power, the power itself becomes the motivation for corruption and destruction. This film is not a shalow fascistic glorification of power that GLADIATOR is, but an inteligent, profound and ultimately tragic analysis of human behavior.
Not to say that it is not visually atractive. Mann was always a creator of much, eloquent imagery. Simply, he doesn’t waiste pictorial beauty as Ridley Scott did in GLADIATOR (or even more in HANNIBAl, for that matters) . He is one of those grand masters who knows how to amplify a top-notch epic with grand imagery, to present the fable even more than telling it with dialogues. So instead of filling a whole characterize with post-card-like images, he punctuates strong dramatic monent withe great shots–no extinguish.
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The film was shot in Ultra Panavision 70, which is an VisitaVision camera with an anamorphic lens attached to it. It was probably the most versitile system among those sizable format (65mm) system of the 60′s. With astonishing image clarity, yet one could fade the camera almost as freely as in regular 35mm. When somebody like Anthony MANN was gievn such a camera, the result is wonderful (another, arguably better example is EL CID) .
The irony is that, to narrate the corruption of power, one has to prove the power itself–in this case a grand number of extras dressed as roman soldiers, The film was hot in spain, and all those extras was furnished by general Franco’s fascistic military regime. Franco loved movies, but apparently never realised that the film he helped making was a vital metaphore of what he was, the “ideology” that he stood (or he pretended he did) for.
A flawed film, perhaps, but a striking, ravishing section of filmmaking.
1964′s “The Topple of the Roman Empire” was the last of Samuel Bronston’s ‘epic trilogy’, three mighty films (“Empire”, “El Cid”, and “55 Days in Peking”), that stand alone in their sheer opulence and spectacle. Sadly, “Empire” would fail at the box office, forcing Bronston to shut down worthy of his Madrid studio, but he was justifiably proud of the film, nonetheless; it tackled a seemingly impossible subject (the collapse of Imperial Rome) on a spacious scale, with intelligence and a surprising compassion. The time frame of the film (the era of Caesars Marcus Aurelius and Commodus) would, in fact, demonstrate so richly dramatic that Ridley Scott would return to it in “Gladiator”, which, in many ways copies “Empire” (and would derive the ‘Best Picture’ Oscar, to boot!)
Buy,Download, Or Stream The Fall Of The Roman Empire (Two-Disc Deluxe Edition)! Click Here
Buy,Download, Or Stream The Fall Of The Roman Empire (Two-Disc Deluxe Edition)! Click Here
The help legend of “Empire” is every bit as noteworthy as “El Cid”; this had been a pet project of Bronston’s for years, and with the backing of the Spanish government, and intelligent director Anthony Mann on board, he planned it as the follow-up to “El Cid”, creating massive sets of both Rome and northern Europe, in Madrid, and locations throughout Spain.
Bronston felt a major male superstar would be needed for the production to ‘work’, and courted Charlton Heston, so memorable as “El Cid”. But Heston felt the account paralleled powerful of “Ben Hur”, and when he was informed that Sophia Loren (who he had not enjoyed working with, in “El Cid”) would again be his leading lady, he turned the role down. Bronston, anxious to maintain his services, then showed him the script of “55 Days in Peking” (which wouldn’t involve Loren), and he expressed interest. Bronston, amazingly, tore down ALL the “Empire” sets, and built ‘Peking’, to accommodate Heston! “Empire” would be save on occupy until “55 Days” was completed.
Buy,Download, Or Stream The Fall Of The Roman Empire (Two-Disc Deluxe Edition)! Click Here
The delay would result in greater financial difficulties (as the Peking film wasn’t the notable and commercial hit “El Cid” had been), as well as other problems. The current choice as Commodus, Richard Harris, did not net along with director Mann, and would be replaced by Christopher Plummer (Harris would eventually describe Marcus Aurelius, in “Gladiator”) . Replacing Heston as the lead would be Stephen Boyd (after Kirk Douglas turned down the role) . While a very competent actor, Boyd lacked the charisma and star power to attract audiences. The production hit snags in a number of areas, further draining the strained budget. Ultimately, it would have needed to be a blockbuster to recoup the costs…and, sadly, it wasn’t.
Still, the film is a joy, in many ways; Alec Guinness, as Aurelius, and James Mason, as a Greek philosopher/ex-slave, are both superb; Sophia Loren is breathtakingly beautiful; Plummer is every bit as excellent as Commodus as Joaquin Phoenix would be, a generation, later; the battles and Rome sequences are visually stunning; and Dimitri Tiomkin’s exquisite get is one of his best.
“Plunge of the Roman Empire” has truly grown in stature, over the years, and the Miriam Collection edition, with restored represent and sound, commentaries, and improbable special features, promises to be a ‘must own’ for every film buff!
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