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Movie Title: The Bourne Supremacy The Bourne Supremacy is available for streaming or downloading. |
There are no world domination conspiracies. No extravagant super-gadgets. No deadly supermodels and megalomaniac geniuses. Unprejudiced Bourne, his wits, a couple of guns, and whatever else he can secure his hands on.
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Firmly entrenched in reality (as distinguished as having a martial arts expert with photographic memory, unbelievable marksmanship and driving skills, coupled with fluency in at least four languages, and spycraft/black ops training is feasible in the right world), The Bourne Supremacy follows in the footsteps of The Bourne Identity to stammer solid action which is a refreshing crash from the cartoon shenanigans of Bond.
The film opens two years after the events of The Bourne Identity, where Jason Bourne, a unlit ops assassin played by Matt Damon, had become amnesiac and severed his ties with the CIA. Jason and his lover, Maria, played once again by the German actress Franka Potente, have been skipping around the globe and are currently hiding in India. However, events beyond his control conspire to travel him encourage to the conspiracies and machinations of hidden players. An undercover CIA agent is murdered in Berlin, and all the evidence points to Bourne. Brian Cox, Julia Stiles, and some minor players return from the first movie, and Joan Allen is introduced as a high level CIA administrator who wants to track Bourne down. There are plenty of twists and turns along the contrivance, lots of globetrotting, including visits to Paris, Berlin, and Moscow, and vast plot pieces.
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The return of most of the cast from the first movie serves as a expansive means of establishing continuity. Strangely enough, Ms. Stiles is once again delegated to a very minor role (in the first movie, she was puny more than a glorified phone operator), but this time around, she has a key scene with Mr. Damon. Ms. Allen has spacious presence and manages to contain her possess in her many scenes with Mr. Cox. Mr. Damon thoroughly inhabits the role of Bourne, convincingly playing a ruthless assassin who, despite intense conditioning to be a remorseless killer, is struggling to fetch his humanity. Mr. Damon has once again spent mighty time conditioning himself for the role, and it shows. He is lean, fit, and utterly believable in his fighting sequences. However, more than being unbiased another action hero, Mr. Damon also brings convincing intelligence to the role. The audience can own that Bourne is constantly thinking two steps ahead of everyone else, that anything can become a weapon in his hands, that he is always considering a plan out, and that every act, even simply picking up a bottle of vodka, has a reason.
The image quality of the DVD is reliable, although in parts it seemed too shadowy. The filming technique weak by the director, which involves extensive exercise of hand-held and shoulder-mounted cameras, has been grand criticized, and must have been a dizzying experience in the movie theater, but in the confines of a gigantic conceal TV, it serves to bring the viewer suitable into the action. Granted, some of the speedy editing and shaky camera work compose a few of the fight scenes claustrophobic and confusing, but that seems to be the desired finish. There are a handful of deleted scenes (which are of worthy lower video quality and don’t really add noteworthy to the plot; they are also all strung together – one cannot assume individual deleted scenes), director’s comment track, and some other production segments. I have not heard the director’s commentary or examined the other documentaries, yet. One nitpick of the DVD is Universal’s decision to add unskippable advertising at the beginning. One cannot press menu to escape; one is forced to rapidly forward through the useless ads.
Highly recommended.
Wow! Talk about a taut, mind-numbing location of sequences fleshy of energy, moment and action, this sequel to the current -The Bourne Identity- is that most elusive of entities, a considerable better, tighter, and suspenseful movie than its modern. This sharply spun legend allows Matt Damon to reprise his role as Jason Bourne, the recovering amnesiac CIA leer gone AWOL, this time running for his life through a catalogue of cities from Goa, India to Berlin, and from Berlin to Moscow. And with an action coda that brings to mind the breathless wander of such action classics as Steve McQueen? s -Bullitt-, it is so mercurial, deft, and terrific one can literally come by lost in the activity.
Damon is marvelous as Bourne, an aroused, amnesiac, and absolutely murderous foe for anyone who crosses his path with deadly intent, which seems to happen with glorious regularity in this film. Given the unique approved disgust and disdain for the CIA, the movie hits home by portraying its hierarchy as thugs in business suits, crooked on silencing Bourne regardless of his innocence or guilt. Damon is losing some of his boy-next-door qualities, but burns up the cover with an Eastwood like position of facial expressions that underplay the emotions and do the dialogue often sparse and terse. His physical presence more than makes up for the verbal void, however. His moves are nothing short of piquant.
Luckily, the situation avoids the unique morbid Hollywood preoccupation with terrorists, middle Eastern personalities, or religious overtones, and rather chooses to concentrate on more customary East European skullduggery with undertones of large money and dirty oil deals in setting the stage for assassinate, mayhem, and some of the most outrageously memorable car shuffle scenes this side of -The French Connection-. This is an moving movie franchise that one can rest easy about, vivid it will certainly be fleshed out entertainingly over the years by Damon and company. With superbly and smartly produced thrillers like this, why not hasten the memoir as far as it will go? Like!