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Widely regarded as one of the best superhero sequels ever, director Richard Lester’s ‘Superman II’ had the daunting task of living up to the legacy of the fresh film, despite having major restrictions placed on it. For instance, Marlon Brando and Gene Hackman were not available for additional scenes, thus considerable of the film had to be re-cut and Brando had to be removed entirely for accurate reasons. Lester had to incorporate footage shot by unique director Richard Donner with newly shot scenes, while keeping the tone of the sequel consistent. The destroy result is a sequel that’s almost every bit as trustworthy as the film that spawned it. Christopher Reeve even said that this was his well-liked of the Superman movies.
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In original years, the revelation of all the behind-the-scenes drama of Donner’s dismissal from the franchise has unfairly placed Lester’s version in a negative light. Some fans even went as far as to space that the unique Superman II-The Richard Donner Nick was the definitive sequel before even having seen it! While which ‘Superman II’ is satisfactory remains subjective, the simple fact is that the Donner Gash is a terminate approximation of his unusual vision rather than a fully realized film, since he had only shot around 70% of the footage. The rest was spliced together from camouflage tests, novel shots using body and boom doubles, and footage from Lester’s version. This is not unlike what Richard Lester had to do to effect his sequel. Thus, both films can and must co-exist since there are shared footage and scenes recent to each version that simply work better. For instance, terrorists hijacking the Eiffel Tower is simply more of a job for Superman than Lois jumping out a window. Consequently, Donner’s Brando footage better illustrates the father/son motif established in the first film than Lester’s re-shoots with Superman’s mother.
As for the extras in this re-release, WB has compiled an impressive array of rarely seen material. There is a commentary by the producers, a 1981 ‘making of’ special hosted by Chris Reeve, 8 Fleischer Studios Superman cartoons plus a retrospective, deleted scenes, and perhaps the most eclectic…the ‘Superman 50th Anniversary’ TV Special. Produced in 1988 by the ‘Saturday Night Live’ crew, this special was widely panned originally but had since become a hot commodity on the bootlegging scene. With appearances by classic Superman and SNL alumni, this special can be better appreciated now in hindsight for its quirky blend of comedy and nostalgia.
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In closing, despite its shortcomings, ‘Superman II’ spot forth a benchmark in the superhero film genre by showing how a sequel can select off the “kid gloves” and reach out swinging once the exposition is firmly established in the recent. Knowledge of the off-set controversy should only enhance our appreciation of the final film the cast and crew achieve together because it really is a classic sequel.
I was disappointed when I bought this version, when I recorded the Superman 2 version on ABC plot assist in the unhurried 80′s. VHS tapes don’t last, so I wanted the UNCUT version of Superman 2 on DVD. I wasted my money.
Vital scenes are cleave from the DVD:
1) Superman saves the boy at Niagra Falls. He goes attend to the hot dog stand and meet up with Lois, changes relieve to Clark Kent and walks away from the hot dog stand with a proud and humourous smile on his face (intelligent that he saved the boy) .
2) Flying to Paris…..and it shows him passing the Concorde in the sky.
3) A prison scene with Lex and Otis, about Otis going “pssh”, which Otis mentions he had wished before they left the cell, even though it means something else. Humorous scene.
4) Miss Teschmacher needed to go to the bathroom at the Fortress of Solitude, where she says she thinks she found it. And Lex says, “she found it.”
5) And finally, the ending where Superman defeats the 3 supervillains, Lex shows more interest in befriending Superman (which he doesn’t), the cops demonstrate up at the Fortress to arrest Lex, and Superman destroys the Fortress Of Solitude.
There’s more from the ABC version, but too difficult to justify.
Just to say, the Lester lop wasn’t worth the ticket! I don’t know about the Donner version, but the DVD creators destroyed this movie….and who knew a TV version would be so distinguished better!
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