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09 Dec

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Movie Title: Star!
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Julie Andrews portrays British musical theatre star Gertrude Lawrence in “Star!” (1968) . Because it was crafted by the same team responsible for “West Side Anecdote” and “The Sound of Music,” most notably director Robert Wise and producer Saul Chaplin, ample things were expected of “Star!” Dismissed by most critics and overshadowed by Barbra Streisand’s “Silly Girl,” released the very same year, “Star!” is a astounding movie musical soley due to the performance of Julie Andrews, who delivers a handsome, tour-de-force. Andrews performs a dozen major musical numbers, ranging from seedy music halls circa WWI to Lawrence’s stage triumph in the Kurt Weill-Ira Gershwin musical play “Lady in the Black” in 1941. The fetch represents some of the best of the Gershwins, Cole Porter, and Noel Coward, the latter winningly played by Coward’s godson, Daniel Massey. His performance alone is reason enough to perceive the film. However, it the skilled, winning performance of Julie Andrews that makes this long (3 hours) musical biography worth watching. Julie not only sings but dances and acts to perfection, displaying grand versatility. This film would be most tantalizing to those who worship Julie Andrews and the by-gone era of the musical theatre between the two world wars. The film suffers from being somewhat overblown and poorly paced – the thin screenplay gives the viewer microscopic or no insight into what made Gertrude Lawrence really tick, but Julie Andrews delievers the goods – and then some.

Feverish debate always surrounds the suitable merits of this controversial 1968 musical. Thoughts seem to be continually divided as to whether “Star!”,was the “the film that deservedly sank the career of Julie Andrews”, or that it was “the greatest allotment of work Julie Andrews has ever done on film”. From the moment of this film’s novel release in 1968 they are the two most hotly contested viewpoints about this Robert Wise production that reteamed him with his “The Sound of Music”, leading lady Julie Andrews. I tend to mediate after repeated viewings that “Star!”,contains some of the best work by a musical comedy actress in the whole 1960′s decade and certainly is one of the crowning achievements in the acting career of Julie Andrews despite the films lack of financial success. Why wasn’t this film then the success many feel it ought to have been? Firstly by unhurried 1968 the musical genre was definately going out of style with the advent of grand more permissive “socially questioning” dramas such as “Midnight Cowboy”, and “Easy Rider”, and the period saw a very high number of sizable budget movies like “Paint Your Wagon”, and “Sweet Charity”, not being successful at the Box Office. Also the role of the feisty, immoral mouthed Gertrude Lawrence was a titanic departure from the usual type of role that had endeared Julie Andrews to movie goers. While different from her roles in “The Sound of Music”, and “Thoroughly Recent Millie”, “Star!”, needs to be judged on its acquire individual merits and is a marvellous showcase for the multi talents of Julie Andrews.

Undertaking a film biography of such a complex and multifaceted lady as Gertrude Lawrence who was one of the brilliant lights of the stage in the early years of the 20th Century would have been a daunting task for any producer to undertake. “Star!”, in an almost 3 hour running time however succeeds beautifully in tracing Lawrence’s very humble beginnings in Clapham, London where she spent more time ducking ripe fruit being thrown at her on stage than singing, legal through to her toast of Broadway successes in “Private Lives”, and “Lady in the Gloomy”. The production is rich in sparkling musical numbers where the rotund force of the recent talent of Julie Andrews is amply in evidence. “Limehouse Blues”, the handsome “Parisian Pierrot”, “Piccadilly” and my personal favourite the magnificent finale of “Jenny” really are in a class of their hold as far as 1960′s musicals go. Julie Andrews is superlative as Gertrude Lawrence and despite many people at the time feeling she was miscast and that the film overall misrepresented Lawrence, I bear she does admirably as the brassy cockney entertainer who from sheer force of personality reached the top of the entertainment world. A fatal mistake is to see “Star!”, expecting to glimpse a dinky variation on Mary Poppins or Maria Von Trapp. Here Julie Andrews creates a totally different type of character who is in turn laughable, exasperating, tragic, self centred and reflective, all in the one package. Her progression through the film from frantic twenties flapper to a goddess of the depression era of the 30′s, and then a feeble self assured leading lady in the 40′s is achieved with a positive witness for what is good for the characters progression by Andrews. Daniel Massey plays Lawrence’s life long friend Noel Coward in a masterful performance that is among his best ever and in his interpretation of Coward he manages to be respectful while aloof showing the astronomical wit and sardonic viewer of life that Coward was reported to be.

“Star!”,has the feel of an ancient fashioned musical comedy about it and I bag that one of the film’s most enthralling qualities. Entertainment and history are intermingled through the innovative employ of newsreel footage of the time and reenactments of scenes from Lawrence’s colossal successes on stage in “Private Lives”. The film is rich with lavish production numbers with music penned by such famous artists as the Gershwins and Cole Porter. The “Jenny”, musical number which comes at the conclusion of the film in particular is startling in it’s construction and Julie Andrews displays an energy and fluidity here that is a revelation as far as dance sequences go. Nominated for seven Academy Awards “Star!”, really came along at the ghastly time and another musical extravaganza that year “Droll Girl”, featuring an incredible film debut for Barbra Striesand totally eclipsed it both in financial success and awards. Visually the film is a sincere treat for the viewing gape as Julie Andrews wears an amazing wardrobe throughout the film which grows increasingly lavish over the 40 year running period of the film. Designed by Donald Brooks, Julie Andrews had the rare honour of having the largest single wardrobe created for an actress in the one film up to that time.

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I always feel that “Star!”, in some respects gave us an early explore of the Julie Andrews that amazed the world in her tremendous comeback film of 1981 “Victor/Victoria”. As Gertrude Lawrence she is in turn extroverted, tender, regretful of many of her actions, and always the live wire. Rarely have I heard her in better negate than in “Star!”, and her musical numbers in most respects are far more difficult ones than in her earlier musicals. Neglected and scorned at the time of its release impartial when the press seemed to turn against her, “Star!”, certainly deserves a better press. Combined with Julie Andrews next danger the monumental “Darling Lili”, which suffered the same fate at the Box Office in 1970, both are blamed for ending Andrews’ career in movies. Both in fact are due for a reassessment and no film has displayed the new abilities of Julie Andrews to better advantage than “Star!”. Do yourself a favour and acquire a seek at this unfairly maligned film some time, you wont regret it.
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