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When it was revealed that there was going to be a Rocky VI, many naysayers groaned and complained that enough was enough and that Sly was too over the hill and couldn’t pull it off. But the Honest FANS out there knew differently. Even the critics, who initially made skeptical/negative comments about the sixth installment, started turning their stories around after viewing the film in its entirety. Rocky Balboa is a precise winner of a movie, that fully realizes the essence of the unique classic and brings the saga plump circle to a thrilling, emotional, and very memorable conclusion.
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Many years have gone by since last we saw Rocky, who is now a widower, estranged from his son and tranquil mourning the loss of his beloved wife, Adrian. There are some truly touching moments of Rocky at the cemetery, sitting by her grave (when I saw the film in theaters, no one in the audience made a sound – even the rowdy ones – during these scenes, out of pure respect for the characters) as well as Rocky’s trudge, with Paulie, to all the places he took Adrian on their classic first date. So touching.
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Now Rocky has his possess restaurant, where he greets his customers and regales them with past stories of glory. But deep inside of him is a rage that he must gather out of himself and conquer in order to proceed on with his life. The only diagram to do that is to go encourage in the ring. But when a computer simulated match between Rocky and the original reigning heavyweight champion of the world, Mason Dixon, is shown on TV, showing Rocky as the victor, word spreads like wildfire for the dependable thing.
No Rocky film is complete without a training montage, and this film’s got it in spades. Stallone has the character of Rocky so integrated within himself, and gives nothing short of one of his finest performances on shroud. Many memorable scenes, including Rocky’s long and emotional talk with his son, as well as his original relationship with Marie (the young woman Rocky walked home support in the first installment) perform for truly compelling drama. And the climactic fight at the finale is the icing on the cake. It’s inspirational and never disappoints for a second.
Rocky Balboa belongs in the collection of every fan (and non-fan alike for that matter) and the DVD is loaded with extraordinary bonus features, including Audio Commentary with Stallone, Deleted Scenes, Featurettes, Alternate Ending, and more. Capture this film up and explore it again and again. You’ll be glad you did.
Rocky Balboa – a fitting extinguish to the Rocky Saga!
“But it ain’t about how hard you hit. It’s about how hard you can secure hit and withhold absorbing forward.” – Sylvester Stallone as Rocky Balboa
If you liked the modern “Rocky”, you will really like this movie, as it is more about the character Rocky, his feelings, his life, and his future. Rocky 3, 4, and 5 are missing the valuable heart and soul we loved in Rocky 1 and 2 so powerful – we fell in savor with the Rocky character, his humanness, his gentleness (despite his hulking size and profession), his care for of Adrian, Mick, and Paulie. In “Rocky Balboa”, Sylvester Stallone has captured the essence of Rocky once again. The film will proceed you as it did me. I laughed out loud, I was inspired, I cheered, and I cried.
Rocky V was supposed to the last Rocky film, but the film was disappointing in that it had no exact conclusion of the character of Rocky. Stallone was disappointed with it, and for years pestered the studios to allow him one more installment. With “Rocky Balboa, Stallone once again causes us to drop in savor with Rocky, and he ends the film with a impartial and satisfying conclusion. I guarantee you will like this film if you liked the modern “Rocky.”
This final installment of the Rocky series, “Rocky Balboa”, has remarkable of the flavor of the modern Rocky (1976) release. The emphasis is not on the fight, rather, it is on the character of Rocky, and how he is struggling to occupy himself after the unexpected and premature death of his beloved Adrian. Adrian has died and Rocky’s life stopped when she died. He is stuck in the past, with no sure vision of his future without her at his side. Each morning, Rocky begins his day by sitting beside Adrian’s grave in a wooden chair he stores in the crook of a nearby tree. He brings her unique flowers and contemplates their past like together. He has a restaurant, called “Adrian’s”, where Rocky entertains his guests with stories of his past boxing glories. It so happens it is the 5-year anniversary of Adrian’s death, and Rocky, as he has done each of the previous 5 years, goes encourage to the ragged neighborhood to relive his fond loving memories of Adrian, like the pet store, the skating rink, their apartment, and Mick’s boxing gym. Rocky misses Adrian so mighty he cannot net over her. She is like a ghost who dominates his every waking moment.
Like the current “Rocky”, this film devotes palatable time in developing the character of Rocky and his interactions with customary and unusual characters. Th “customary” characters are Paulie (Adrian’s brother), Rocky’s son (now a fledgling businessman, struggling to reduce out a life outside his celebrated father’s shadow), Spider Rico (a mature opponent, and now Rocky’s friend and confidant), and “Dinky Marie”, (now a grown woman who works at the neighborhood bar) who Rocky walked home from a street corner in the modern film (Marie was perhaps 12 years mature then – she is pushing 40 years frail in this film) .
The fresh characters are Step, Marie’s son, whom Rocky befriends like a father figure, and Mason “The Line” Dixon, the fresh heavyweight champion, who is stuck in his absorb life rut. Like art imitating loyal life, the heavyweight division is in the dumps with no actual contenders for Dixon to fight. Dixon is booed by fans despite him easily winning his matches against all the pretender “contenders”. The fans are in a space of unrest, because there is no boxer on the scene with the credentials to give Mason Dixon a sincere fight. And so, Dixon has doubts about himself. Is he really a champion when he has no viable competition? Does he have a fighter’s heart? Can he go the distance with a sincere challenger? Can he rep up and fight if he gets knocked down? It appears that Dixon will never pick up the answers to his questions until a computer fight with Rocky Balboa is generated. Worthy like the real-life computer fight between Rocky Marchiano and Muhummad Ali, the Dixon-Balboa fight ends with Rocky KO’ing the novel champion. Dixon’s manger and handlers utilize the computer fight to generate interest in a exact fight with Rocky Balboa. Dixon needs the determined publicity the fight will bring him, and he needs to determine the assert of how he would do against a proper champion like Balboa. At first, Dixon is incredulous that someone as customary as Rocky could even step in the ring with him, as Rocky is in has mid to tedious fifties. The match is residence as an exhibition, and Dixon tells Rocky he will carry him and not embarass him. Miniature does Dixon know, Rocky calm feels he has something to reveal, and he takes the fight seriously, giving Dixon the war he needs to present his mettle.
Rocky accepts the challenge to fight despite the disapproval of his son and Paulie. They terror for the very life of Rocky. But Rocky eventually convinces them that he has to fight because he cannot go into eternity with a verbalize. The Rock believes a man is always a man, and has the soul of a fighting man even when he ages. The fight for Rocky is a metaphor for the value of one’s life at any age, and is also his personal battle to depart forward in his occupy life. He was knocked down when Adrian died, and now this fight shows that he can prefer himself off the mat and recede forward once again.
The fight itself is anti-climactic to the character development of Rocky and where he goes after the fight. Thus, the fight with Mason Dixon has less drama than the previous Rocky opponents (such as Appolo, Drago, Clubber Lang, etc) . Rocky always fought villianous characters in the previous films, but not in this one. (In fact, Clubber Lang and Ivan Drago from Rocky 3 and 4 were more funny book characters than valid people) . In “Rocky Balboa”, Mason Dixon is not a villan. He is a sincere human being with human issues of his absorb to resolve. Without revealing the ending, suffice to say that both fighters give it their all in the ring, and both conclude what they status out to do.
It is powerful to mention that Rocky does not even wait in the ring for the final decision, for he has exorcised his personal issues and settled them. In the final scene of the movie, Rocky revists Adrian’s grave. The perceptive movie watcher will heed that the chair is gone from the crook of the tree, indicating that Rocky has moved on with his life. Adrian will level-headed be his beloved, but he can recede on and not be stuck in the past. The Minute Marie character, now a grown woman with a nearly grown son, helps Rocky realize he has more to live for than past memories. Their budding relationship gives the viewer assurance that unique admire can again blossom for Rocky, and maintain the void he felt for Adrian.
For me “Rocky Balboa” is a very blooming and satsifying, and I give it 4 of 5 stars. I dock it a star because I deem it could have been a bit longer. The film only runs 1 hour and 42 minutes, relatively short by today’s film standards. I would like to observe further development of Rocky’s trainer and their relationship, (the younger viewers will not know who the trainer is, or where he comes from. He is Apollo Creed’s old trainer, and the man who helped Rocky deny for Ivan Drago) . I fondly buy Rocky and Mick’s relationship in the first three Rocky movies, and I wish there was more dialogue between these two men to verbalize their feelings for each other. Afterall, would a trainer seriously win the task of preparing a 50-something traditional Rocky to fight the heavyweight champion? This premise could have been developed more. I also would have liked to watch more development on Rocky’s training. The training period is too brief in this film, and was always an emotional inspiration in previous films. It is hard to imagine a man in his fifties stepping into the ring with the champ. Rocky is incredibly ripped in his musculature, but I would have liked to leer the same sequence that was done in the first film, showing how out of shape Rocky was, and what he had to go through to derive into shape. This in my estimation is the most serious flaw in the film.
If you can net the preposition of a man in his mid to tedious 50′s fighting the original heavyweight boxing champion (a la George Foreman winning the title at age 45 and fighting until he was nearly fifty years primitive), then you will worship this film. This to me is the only stumbling block in the film. If one can gain the age tell, and finds it credible that Rocky can really assign up a fight, then the film works. If you can’t gain that preposition, the film can calm be enjoyed for the development of the Rocky character, and the hope he has in his future with his son, and Marie as a potential future like interest.
“Rocky Balboa” provides a fitting ending to the Rocky saga. It is a must-see for all the Rocky fans who have lived the saga for the past 30 years. Personally, and perhaps like many others, I have been deeply affected by Rocky in my life, as I can empathize with his struggles in life, and his struggle to earn his life count for something – not command to be “impartial another bum from the neighborhood”. “Rocky Balboa” shows with grace and dignity that all of us have these same issues, and the movie fittingly ends with Rocky’s issues satisfactorily resolved. It was a immense poke. Thank you Sylvester Stallone for revealing to us the person of Rocky. I like the guy, in fact I cherish him. My life is richer for it.
Jim “Konedog” Koenig.
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