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While Rise: Blood Hunter isn’t a bad film, it’s a predictable one. This is meant to be a revisionist vampire film (no one actually uses the word vampire in the movie) but these are the same trendy vampires that have panicked the shroud since Blade. Is it too considerable to ask someone to try and shake up the vampire film the contrivance Kathryn Bigelow and Eric Red did with Come Sunless? Or Larraz did with Vampyres (over 30 years ago)? Can’t we honest gather a cramped Nosferatu around here? Instead what we have here is a journalist by the name of “Sadie” (Lucy Lui) who discovers that a young goth girl she briefly covered in a unique article has been found uninteresting and a hidden message she left slack may lead to her killer’s whereabouts. What she discovers is a secret underground group of vampires, who feed on unsuspecting women. Sadie becomes their latest victim, but instead of being left for plain, is turned into one of them. After she awakens in the morgue, she must reach to terms with her unusual self and is enlisted by a mysterious Spanish man, who gives her the means and know-how on how to gather and slay the vampires that turned her.
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This movie proved to be another bright purchase on the vampire mythos. The vamps in this flick are fangless and really display no signs of being Nosferatu, with the exception of their strength, lack of a reflection, and thirst for blood. They’re not timid of crosses, and we’re not shown whether the worn garlic theory works on them. Sadie doesn’t even exhaust wooden stakes to extinguish them; instead she seems to expend metal bolts shot from her little crossbow. Although the flick is very slow-paced and doesn’t offer a whole lot of the typical vampire action we’re accustomed too, it does exhibit a different side to the narrative, by following Sadie from the moment she awakens in the morgue, to how she gradually copes with her thirst, and eventually finding strength in herself to confront those that harmed her.
The whole sequence where she awakens in the morgue, to her chase to a homeless shelter, where she feeds on her first victim, was somehow mesmerizing to me. I also liked a scene where she finally accepts the fact that she needs to feed and picks up a hitchhiker in a secluded road. From the homeless shelter to her reactions and awkward dialogue with the hitchhiker, the film seemed to recount a kind of realism slack vampirism and the need to feed. That, and my general interest with revenge-type flicks, led me to relish the movie mildly. Since this isn’t your typical vampire film, there’s no flying, clawing, or neck biting, so the gore is kept at a minimum. There is, however, a lot of blood spurting and bolts to the heart. In the raze, what it lacks in gore and action, it makes up for in chronicle.
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Hence, the four stars. I’m going out on a limb here and I know I’ll rep booed but I liked this movie and conception it very suited for it’s genre. I realize people don’t like it when you go against the favorite vote but I wanted to provide another divulge. I’ll skip summarizations as that has been already been provided but give my thoughts (for the two cents they’re worth) instead.
I bag the Amazon Review person didn’t perceive the same movie because there are a lot of errors in that summary. I’m also confused over the starring roles listing. Robert Forster was on shroud for maybe two minutes – a nice cameo by him and a few others. Marilyn Manson played a bartender without all the make-up (it took a while to eye him) and Crop Lahey plays a puny time crook who doesn’t assume about the whole record (working for a vampire cult is never a grand plan) . All of acting was edifying, even the minor characters, with two main characters standing out. Sadie Blake (Lucy Lui), a supposed unwilling victim and The Bishop (James D’Arcy), an Englishman who charms his arrangement past a woman’s barriers. These two are the ones to study and scenes containing them sizzle. The cinematography is incredible with it’s color washes of reds and blues upon dark. It’s nicely filmed by a master.
There were nice twists here with the innocent turned against her will into vampirism…. or was she? We learn from Eve that her will to survive was so strong that not even The Bishop’s feeding could destroy her. That her survival instincts took over and that’s what made her a vampire, not another vampire. She was lead in that direction but Blake determine her path. I found this to be an keen character development. As the Alchemist points out, no one is really innocent. He also points out that she is different from them, that she bear a gift. Apparently, this gift is the thirst for life and not the blood she needs to keep it (life being a relative term here) .
This movie definitely left on a possible sequel notice and although I would not mind seeing another installment, the straight to dvdness of this movie leaves miniature option for another. There were a few area holes but that’s what makes it a “B” grade movie so I let it go.
I recommend this movie for supernatural film fans that like a different kind of vampire movie. This is not a astronomical film and doesn’t really qualify as moral dismay (lack of scary parts – plenty of gore but not remarkable noble dismay), but interesting all the same. Maybe it’s impartial me though because I hated Dracula 2000 and most reviewers loved it.
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