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The Earth has been overrun by aliens. Only a petite group remains hidden and free. They hope to go befriend in time to the cause of the war and prevent it. But the hideout is discovered and all is almost lost when a young, and untrained, woman jumps through the time gate to our demonstrate.
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Although untrained as a soldier, she does know the basics of the mission. An alien ship will break and the occupant needs to be killed before it can inaugurate the invasion. It seems simple enough except that future knowledge is not completely moral. The ship has already crashed and the occupant has been taken away. Now with the aid of a local criminal trying to go straight, she must fight harder than she knows to give humanity a future.
Good action, some nice residence twists, and a time paradox or two all combine to create an extinct station seem unique. I bought this one based on a trailer on another DVD and I was not disappointed. The film is fairly shiny and the hero is wonderfully resourceful, desperate, and caring. Her character does not tumble apart as she unravels what is going on and what she must do to cessation it. Worth watching.
I purchased this movie expecting a cheesy film with unpleasant acting like most novel Japanese live-action movies. I also expected a movie that borrowed heavily from other movies. But this really wasn’t either one of those movies, at least not more than any other movie out of Hollywood.
Others have already reviewed this movie (girl goes succor in time to set aside the human hurry), so I won’t expend any more time on it.
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The acting wasn’t poor at all, especially Ann Suzuki’s sometimes-serious, sometimes-rebellious character, Milly. The dubbing was also done well — it was actually worth listening to. The CG and special effects were very grand and imaginative, contributing to the spot. The soundtrack was a dinky inconsistent, and some of the camerawork was kind of odd, but nothing too distracting.
All in all, this movie stands on its gain as a respectable sci-fi movie. It won’t compare to older movies by Kurosawa, and it isn’t as refined as many current science fiction movies from the U.S. (although considerable better than Roland Emmerich’s Godzilla), but it’s smooth not awful by any stretch.
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