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To most, a Yash Chopra production is synonymous with tremendous doings – of storytelling done on a lavish scale, of an extravagant worship epic, and the brightest talents in Bollywood. RAB NE BANA DI JODI happens to falter on several of these elements. But while it may not be on the same tier as past Yash Chopra classics (Dilwale dulhania le jayenge, Veer-Zaara, Fanaa, etc.), it’s unexcited very great worth watching. Bollywood megastar Shahrukh Khan, as expected, carries this romantic comedy.
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The opening sequence features two arranged marriages, and both inspiring the same girl. On her wedding day Taani (Anushka Sharma), young and vivacious, receives the ghastly news that the bus carrying her fiance enroute to the wedding had crashed, with her fiance numbered amongst the casualties. Taani’s professor father, upon learning the news, suffers a massive and eventually fatal heart attack. On his death bed, her father, not wanting Taani to be alone, talks her into entering a marriage with his approved student Surinder Sahni (Shahrukh Khan) .
Surinder is a nondescript-looking guy, one of those unnoticed types who toil in his cubicle, working as he does for the Punjab Power company, responding to all phone calls with what I consider is a fine well-kept company motto, “Punjab Power, lighting up your life.” Surinder (or Suri) is bespectacled and mild and kind, and becomes instantly smitten with Taani. But he understands that his marriage to her is only one of conveniece, Taani frankly declaring that she could never descend in fancy with him, even though she vows to fulfill her wifely obligations. Suri, never expecting someone like Taani to enter his life, professes himself utter.
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Things go on like this for a time, with Taani continuing to mope and with her and Suri sleeping in separate bedrooms. One day Taani sees a flyer for Dancing Jodi, a dance school competition, and she decides to participate. Suri, longing to eye her gay and dancing again, pays for the dance classes and then dons a disguise so that he could be arrive her, not in a pervo intention but so that he could bask in the stare of her having fun. For the introverted Suri, things are about to salvage ridiculously out of hand.
It doesn’t really compose sense, but somehow Suri’s best friend is this outgoing, macho salon owner (yes, I said “macho salon owner!”) named Bobby Khosla. Bobby does a makeover on Suri and transforms him into this hip, happening cat named Raj Kapoor. Raj wears tight clothes, has poofy hair, and tends to be loud and nasty. Thru the luck of the contrivance, he ends up being Taani’s dance partner. Taani dislikes him within moments, but, then again, you know how these movies go. Soon enough, thanks to Raj’s antics, Taani is laughing and feeling alive again. And Suri, trapped in a web of his maintain making, soon finds himself in a fight for his marriage, with his alter ego as his rival. It’s all very bent, but fun.
Fun, because the tone doesn’t ever come by to that shaded state. Shahrukh Khan plays the strutting Raj Kapoor as a caricature, exagerrated and over-the-top. Raj isn’t very likeable, but then I don’t ever mediate he was meant to be. It’s unique, even keeping in mind that Raj and Suri were the same person, I peaceful could not warm up to Raj. As Shahrukh says in an interview: “The essence of the whole thing is, that you’re going to savor only one guy – and that is Suri.” That’s one dichotomy in Shahrukh’s dual roles. I don’t reflect distinguished of his portrayal of Raj, even if Raj’s resulting traits were deliberate on Shahrukh’s piece (I’m guessing he intended him to be this aggravating) . Obversely, Shahrukh’s self-sacrificial Suri is sweet and heart-breaking and thoroughly endearing. As Shahrukh also says, “Ninety-nine percent of the people are Suris,” and so many of us Average Joes sight ourselves in Suri. With due respect to the showstopper number “Phir Milenge Chalte Chalte” – in which Shahrukh gets to dance with some of the most notorious actresses with whom he’s co-starred in the past – it’s the terrific “Haule Haule” which really captures my attention. “Haule Haule” embodies Suri’s gentle spirit and the depth of his feelings for Taani. In the song, when he beams with happiness and does that limited dance, one simply cannot assist but be won over.
The subplot to all this, of course, is the Dancing Jodi competition. You can probably guess how it ends. RAB NE BANA DI JODI (which I assume means “A Couple Made By God”) has its flaws but the effervescent tone, the romance, the nifty songs, and the touches of humor should have you overlooking those failings. It certainly made a killing at the Indian box office. This is Anushka Sharma’s cinematic debut, but you wouldn’t know it by her self-assured performance and her chemistry with Shahrukh, especially when Shahrukh is playing Suri; it’s these two characters whose moments together obtain the crux and the romance of the fable. And Shahrukh Khan is Shahrukh Khan, in Bollywood the star of stars and his Suri having become one of my all-time well-liked roles which this actor has ever brought to life.
What I didn’t like? Okay, I initially had some peril buying into Taani’s Lois Lane complex, with her impartial being unable to pierce thru Suri’s fairly simple disguise, but I eventually shrugged it off. Because, I guess, since she doesn’t exhaust a lot of time with her husband (only at breakfast and dinner and the occasional movie date) and since the man is habitually so reserved, I can examine where it may be difficult for her to set two and two together. In her spot, would it occur to you that someone so internal could establish on such an bold act? Another nitpick is that I unprejudiced found “Raj Kapoor” to be so annoying and not once did I feel that he was a character in his enjoy factual. And then there’s Taani’s slack epiphany which, to me, simply smacks of the speedily fix resolution.
What I have is the nice two-disc location with the glossy 3D hologram cloak, although it’s not frosty that Disc 1 sits honest on top of Disc 2. Disc 1 offers the feature film (which is 2 hours 44 minutes long) with English sub-titles and the typical song selection option. Disc 2, with the astronomical special features: the Making Of RAB NE BANA DI JODI featurette (45 minutes long) ; the Making Of the musical number “Haule Haule”; the Making Of the musical number “Dance Pe Chance”; the Making Of the musical number “Phir Milenge Chalte Chalte,” which in addition to featuring five of Shahrukh’s past female co-stars is also an homage to different eras of Bollywood (although I judge the musical number “”Woh Ladki Hai Kahan” from Dil Chahta Hai did this better) ; 6 minutes of deleted scenes (no sub-titles) ; Shahrukh Khan Unplugged – 62 minutes of SRK – and his ego but with that wit and that twinkle in his ogle as a saving grace – as he reflects (mostly in English) on sundry topics like this film’s director Aditya Chopra, SRK’s film preparation, his dual parts Suri and Raj, the importance of getting newcomer Anushka Sharma as his romantic leading lady, his tight relationship with the Chopra family, etc.; Shahrukh and Anushka In Conversation (43 minutes, chunks of it in Hindi), but definitely salvage around to honest before the 32 shrimp price to hear an utterly attractive bit as Shahrukh answers Anushka’s question: “Who is Shahrukh? “; and the theatrical trailer and promos.
Despite Raj Kapoor, I ended up really liking RAB NE BANA DI JODI. The ending is very grand, even though you do scrutinize it coming. The movie has its qualified portion of comic moments, although, as usual with Bollywood, sometimes the humor is forced. But do retain an peer out for the hilarious Dhoom sequence, in which Taani finds umbrage with two fellow dancers on a motorbike and goes tearing off in pursuit thru the diminutive streets on Raj’s gain motorcycle (with Raj on the encourage) . Then there’s the droll epilogue to that scene, as Raj fills in his disbelieving but aloof macho best friend Bobby on that narrative (and remember that Bobby knows that Suri is Raj) :
- Bobby: “So your wife was riding the bike? ”
- Suri: “Yes.”
- Bobby: “At the accelerate of 120? ”
- Suri: “Yes.”
- Bobby: “And what were you doing? ”
- Suri: “I was sitting slack.”
- Bobby: “What were you doing at the benefit? ”
- Suri: “I had to acquire the handbag, good? ”
It’s funnier in the movie.
So far, the names of Yash Chopra and Aditya Chopra have been late some of India’s most fine, romantic movies in the past decade, and this latest production lived up to my expectations, even though it is significantly different from earlier box-office hits like “Mohabbetein”, “Veer-Zaara” and “Dil to Pagal Hai”, to name a few. The two main aspects which struck me as being most different about this fair original film, “Rab Ne Bana Di Jodi”, are the realistic and primitive Indian settings and the novel narrative about an unlikely couple. In most accepted romantic movies, the stars are young and lovely, and although Shahrukh Khan, the star of many such favorite romantic movies, also plays the lead role in this film, his character is quite different from previous roles. In fact, he plays dual roles in this movie, which he has done to perfection several times already, and Rab Ne Bana Di Jodi is yet another opportunity for Shahrukh to shine and expose us even more facets of his limitless talent and abilities. Wearing glasses and a moustache, he is almost unrecognizable as a stiff and lifeless middle-class working man, but as soon as he speaks, the viewer can observe beyond the outer appearance and inspect the kind, gentle and loving soul within. This is actually the underlying message of this chronicle, and Shahrukh brings it out very skilfully so that the audience follows the jam of this awkward and clumsy geek who is desperate to do an sparkling young woman fancy him for the person he really is. With so many comely and macho film stars to dazzle the girls, he finds this a daunting task, but is driven by fancy and faith in God to persist in his quest.
The spot is immediately more bright and complex, especially for the Western viewer, because the young woman in seek information from is his bride whom he met only a day before the wedding, according to Indian tradition. The first few scenes are already loaded with deep emotion and drama as we learn that the young woman’s happiness over her `marriage of love’ – a luxury not everyone experiences – is shattered on her wedding day when her groom is killed in an accident. This causes her father to suffer a heart attack, and on his deathbed posthaste arranges his bereaved daughter to marry an venerable and trusted friend, Surinder, to rob care of her. Already in worship with her at first see, Surinder feels the wound of like for the first time in his life when she tells him she has no treasure left in her heart for anyone after the tragedy, but will do her best to be a noble wife nevertheless. And so begins a charming and delectable chronicle, like a fairytale, yet precise enough to tug firmly at your heartstrings, as Shahrukh, playing Surinder the geek, disguises himself as a glowing, carefree and manly dance partner in his wife’s evening dance class. Even though Shahrukh looks like his usual self as this aesthetic young man, his acting moves into fresh heights and dimensions as he plays Surinder the awkward geek pretending to be Raj, the sophisticated ladies’ man. Despite unexcited being awkward and clumsy, she appears to gradually topple for him after all, with never a suspicion that he is in fact her monotonous husband, which becomes a jam for Surinder: does this mean his wife would leave him for Raj because of his outer appearance, or would she eventually look beyond the geek exterior and arrive to care for Surinder’s shapely qualities?
Newcomer Anushka Sharma plays the role of Taani, the dusky and lost young woman, with apparent ease and with a manner pleasantly different from the usual approved female lead. In fact, both lead roles are deliberately different in order to execute a anecdote with a special deeper meaning to inspire audiences, even with spiritual concepts such as whether this match was made in Heaven. For the romantically-inclined, this movie will surely be very satisfying, if not challenging, and for Western viewers it will be an emotion-packed adventure through India and the traditions and mentality of India’s people.