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Watch Oliver Twist Online.
Movie Title: Oliver Twist Oliver Twist is available for streaming or downloading. |
Ever since Charles Dickens first penned OLIVER TWIST in 1837, no one ever understanding that this sentimental story of an orphan boy bounced between a gang of thieves and all-too-often uncaring London society would be the classic that it is today. Soon, however, its wealth of rich and eccentric characters would occupy the imagination of both readers and filmmakers alike. By now, most everyone is familiar with the yarn of Oliver Twist, an orphan who is brutalized in the Poorhouse system of Victorian London. Eventually, while escaping his tragic circumstances, he inadvertently falls in with the playful Fagin and his band of young pickpockets. Feeling sorry for him, one of the gang, Nancy, will assist the boy score his loving family, at the cost of her occupy life. There have probably been at least 19 film and television adaptations of this anecdote, with the stand outs being the 1948 David Lean version and the 1968 musical OLIVER! Famed and controversial director Roman Polanski now tries his hand at the oft-told legend, with his efforts resulting in a noble, but far from definitive, adaptation.
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For starters, the film is basically a bare bones version of the fable, with many of its astonishing characters and dramatic plotlines either shortened or slash completely. For example, gone are such wonderful characters as Oliver’s depraved half-brother Monks, as well as the harridan-like Widow Corney. Also gone is the entire plotline linking Oliver to his past. As a result of such tinkering, the film tends to plug in parts during its basically two hour running time.
On the other hand, there are also many things to devour as well. While he might lack the sparkle and grandness that Alec Guinness and Ron Testy brought to the role, Ben Kingsley makes for a credible and sympathetic Fagin. Kingsley plays the role with a soft pronounce and manner, highlighting the emphasis of Fagin as a warped, yet somehow endearing, father figure to young Oliver. As the title character, Barney Clark is a perfect example of wide-eyed innocence, without being overly cute.
Edward Hardwicke, best known to PBS viewers as Dr. Watson in the Jeremy Brett Sherlock Holmes series, brings warmth and steel to the role of the top-notch Mr. Brownlow. Harry Eden is stellar, but doesn’t net nearly enough camouflage time, as the Artful Dodger, while Jamie Foreman is appropriately brutish at the vicious Bill Sykes. Alun Armstrong and Impress Strong form smart impressions in smaller roles. Special mark must be taken of Leanne Rowe’s heart-rending portrayal of the tragic Nancy. Rowe brings a amazing combination of lost innocence and hard living to the role. Visually, the film is a treat for the eyes with rich colors contrasting with the dusky and dingy world of Fagin’s gang. Rachel Portman’s music also solidly adds to the atmosphere of the film.
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In the slay, Polanski succeeds in creating a movie that, while it is a solid version, falls somewhat short of the more classic film versions of the Dickens new. Quiet, this is detached a film worth recommending.
I have not seen any of the many film or TV versions of Charles Dickens’ 1837 classic, and have no basis of comparison for Polanski’s seize on Oliver Twist. That may be a friendly thing, as I have no preconceived notions of what this film ought to be. Barney Clark’s portrayal of the foundling born in a countryside workhouse, enslaved at age 10 by a customary funeral director and his imposing wife, and escaped to the bowels of London, is nothing short of stunning.
Polanksi’s fable of Oliver’s tragic childhood, survival and ultimate adoption by the splendid rich gentleman, Mr. Brownlow (Edward Hardwicke), fits precisely into the image painted in Dickens’ lengthy page turner. As one would question, he embellishes the film with extraordinarily realistic scenes of the 19th century British countryside, hardscrabble streets and alleyways of London’s “Spittlefield” slum and Brownlow’s suburban mansion.
But Polanski also engaged impressive performances from Ben Kingsley as Fagin, the hooked (and unpleasant) old-fashioned fence and the leader of London thieves and pickpockets, Jamie Foreman as the house-breaker and murderer Bill Sykes, and Leanne Rowe as the motherly Nancy who in the kill saves Oliver’s life at the cost of her hold. Kingsley’s Fagin is every bit as conniving and devious as readers occupy. But he also occasionally shines with glints of kindness towards Oliver, the Artful Dodger (Harry Eden) and the rest of his youthful gang, not to mention remorse over Nancy’s fate, thus spirited viewers’ sympathies for the bad and downtrodden in 19th Century England and consideration of the very actual honest dilemmas of that age.
Of course, no two-hour movie could possibly include all the intricacies or characters of a Dickens current, and this one is no exception. Thus, some readers may miss Oliver’s half-brother Monks, Widow Corney and the sage line concerning Oliver’s history. But this in no diagram detracts from the movie’s success. Nor does it prevent Polanski from hitting home runs with bit parts–for example, Alun Armstrong as the foul-tempered magistrate, Mr. Fang, and Sign Strong as the dandy Toby Crackit, an accomplice to the detestable Bill Sykes.
In the main, however, Polanski zeros in on the tragedy of Oliver’s life. There’s something courageous in him, to be certain. And the gratified ending is indeed welcome. But this doesn’t erase the horrors that he suffers before his final rescue–his mother’s death in the workhouse, starvation, enslavement, abuse, kidnapping, and the destruction of his innocence by men who exploit children.
In short, Polanski strikes the chords that have made Oliver’s legend a hit for nearly 170 years: He brings the hero’s suffering to life and touches the lost child in all of us, young and ragged alike.
–Alyssa A. Lappen
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