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Oldboy has a Shakespearian tone as it depicts the account of Oh Dae-su (Min-sik Choi), whose name means “he who can bag along with people”. Oh Dae-su is on his procedure home after having been arrested for public drunkenness to celebrate his daughters birthday. However, Oh Dae-su never arrives to his home as he is kidnapped and imprisoned in a shrimp room where his only contact with the human world is a television. During the time Oh Dae-su is caged someone murders his wife and he becomes the prime suspect for the destroy. The questions that Oh Dae-su unsuccessfully attempts to respond while locked up is why revenge is being taken on him and who is seeking this cruel revenge. After 15 years Oh Dae-su is released from his torturous imprisonment, which leaves him confused and ragingly vengeful.
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Chan-wook Park directs a smart cinematic experience that is burly of well-written conspiring intrigues that will sustain the audience in suspense. The suspense is initiated in the opening shot where a man is hanging over the edge of a roof top causing the audience to asks themselves–why is this happening? The suspense continues as original and mysterious clues appears, but dread does not leave the audience even after the waste of the film as the final line echos in the minds of the audience. Park’s vision of revenge in Oldboy often depicts exaggerated violence that is well balanced with legend as it is related to the themes of the film. However, this should help as a warning to squeamish folks as the film is occasionally brutal and bizarre. Furthermore, the cinematography archaic in Oldboy vividly projects the emotional tone of the cinematic themes and characters. The characters are also superbly performed by an respectable cast, which will back the audience to experience a first class cinematic event.
Some films unprejudiced do not allow themselves to plunge into generalizations and these films pose conundrums when one tries to account for them. I’ve owned _Old Boy_ for a number of months now, but for some reason or another I had been able to build myself sit down and explore the film. For some reason I conception it was a panic film and being that I generally do not care for apprehension films I let this one sit on the sidelines while I watched other films. However, I was finally inspired to glance this film when my Korean office partner told me how grand she enjoyed the film, been amazed by Choi Min Sik’s acting, and how long the film stuck in her head after watching it. Trusting my friend’s taste in film, last night I finally settled down to discover the film and similar to my reaction with other films that I had underestimated, I wondered: Why the heck had I had not watched this film earlier?
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The film begins with a drunken Oh Daesu, Choi Min Sik, sitting in the police office. He is a noisy drunk heaping abuse on the police officers and constantly trying to urinate on the floor. He tells the police to let him go because it is his daughter’ birthday, but when his pleas drop on death ears, he becomes even more recalcitrant to remain unruffled in the police office. Eventually Daesu’s friend comes to bewitch up his inebriated friend. However, while talking to Daesu’s daughter on the phone, the friend notices that Daesu is missing.
Daesu finds himself imprisoned in a room that resembles a cheap motel room. Fed a diet of dumplings and with a television as his only companion, Daesu will live for fifteen years inside of that puny room. Occupying his time watching television, punching the walls, writing the names of all who might have had him imprisoned in that room, watching television, and carving a hole in the wall with a metal chopstick, Daesu grows older his youth withered away within that room. However, one day, he finds himself on top of a building finally free to hunt the individual who had imprisoned him. Daesu eventually makes a novel friend in the personage of the young sushi chef Mido, Gang Hye Jeong, who for some reason seems to topple for Daesu as he consumes a live squid, who accompanies him on his search for the individual who ruined his life.
This is an wonderful film. Choi Min Sik’s acting is top notch and one can really feel his enrage and frustration inside of his prison. I won’t go into details here, but his performance during the final minutes of the film must be witnessed to be believed. The music is colossal and the special effects are nicely done. The ant poking through Daesu’s skin is very creepy.