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04 Jan

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Movie Title: My Best Friend
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“My Best Friend” could have been maudlin (in the hands of a less talented foreign director) or irritatingly over-the top (in he hands of a less talented American director. Instead it is a believable and charming watch at friendship in the 21st century, and the lengths to which some will go to find it.

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Francois Coste (Daniel Auteuil) is a Parisian dealer in Art Deco antiques. He is completely focused on his business, and on the accumulation of goods. Evidently, this monomania has advance at the expense of family, friendships and business ethics – has gained him the notoriety of being a man who has no friends. At a restaurant gathering on his birthday, his associates vow him bluntly that when he dies, there will be exactly zero people at his funeral. Coste can’t win this and claims to have many friends. He is challenged by his business partner (whose sexual preference he does not even know) to note this. He has 10 days to indicate that he is not totally bereft of friends.

Bruno Bouley (Balanchine in the English version) is a voluble and warmhearted taxi driver – the kind who rattles off historical details as he drives his fares around town. Bouley has tried to beget his talent pay off by appearing on French TV game shows, but his uncouth nervousness keeps him from being chosen as a contestant.

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One day, these two meet, and after a obvious amount of skittishness, Costes decides that this hyper-extraverted cab driver could be his designate to winning his bet. He engages him to snarl him to be profitable.

The film could have taken many paths, but trod one of believability and pathos. Auteuil played Costes marvelously as a man who is seemingly superior outwardly, but whose actions, though not inferior or bad in themselves, pile on one another over time to revealed a character who was toxic and uncaring. Boon played Bouley as the classic lost soul – talented, sensitive and warm – who could neither capitalize on his skill nor obtain solace among his absorb acquaintances.

“My Best Friend” is piquant, steady, silly and often poignant. The place line is tight, providing plausible limits and rationales for character actions. There is shiny employ of a Greek vase depicting the friendship of Achilles and Patroclus — an object that becomes the unexpected focus of Costes’s attention and a key element in the film. The emotional heat of “My Best Friend” is always station on crude. But like Costes’s many business acquaintances, viewers will obtain themselves pulling for him, hoping that he will salvage it in himself to be less “détestable” – another French word that needs no translation – and more “sympathique” or likable – a quality that Costes sought throughout this amazing film.

Oh no, not another winsome human comedy about life-lessons and friendship. Occupy a movie price or the DVD anyway. In the hands of director Patrice Leconte and actors Daniel Auteuil and Dany Boon, My Best Friend turns out to be not unprejudiced a charming, sweet-natured myth, but a well-told and well-acted one. Francois Coste (Auteuil) co-owns a Paris gallery, has a great-looking apartment, seems estranged from his college-going daughter, knows many people in the business and has impartial impulsively bought at auction a very expensive Greek vase. One thing Coste lacks are any friends. Oh, he has plenty of business acquaintances, is reasonably cordial most of the time, but also, we explore, is somewhat distant to everyone he knows. He can talk antiques engagingly but he doesn’t seem to really contemplate considerable about the people he talks to. When he gets in over his head financially with the assume of the vase, his vivid, good-looking partner is irritated. Francois has never even noticed that she likes women and has a partner of her contain. She makes a bet with him. He has ten days to present he has a best friend…or she gets the vase. Francois is smugly confident, until the people he adds to his list of friends commence telling him the truth. And then he meets a cabdriver, Bruno Bouley (Boon) . Bruno likes people, listens to them, talks to them and has a huge passion for weird facts. He wants to be on a television question program. People seem naturally to like Bruno. When Francois realizes he has no friends, loyal friends, the kind you can call up at 3 a.m. or who will do whatever it takes to approach to your assistance if you need serve, he decides to have Bruno snarl him how to accomplish friends. It doesn’t work out quite the draw Francois expects, or the plan we inquire, at least not till the very demolish of the movie.

Sweet-natured the movie is. Both Francois and Bruno learn some lessons that afflict, Bruno first and then Francois. That the account eventually works out for all concerned is no spoiler. We’ve smiled some, teared up a dinky, and left the movie house feeling well elated and happy. We also ask ourselves, this is a Patrice Leconte film, from the man who has given us such exceptional movies as Mr. Hire (1989), Man on the Tell (2002), Ridicule 1996) and The Widow of Saint-Pierre (2000)? It is, and My Best Friend is an silly vacation from angst and irony and drama. It’s a thoroughly luscious movie.

The two actors who earn it work so well, of course, are Auteuil and Boon. They play off each other with astronomical skill and authenticity. Auteuil is practically a French national like. Along with his contemporary Gerard Depardieu, the two have fair about dominated French acting by male leads. Neither of them has mature leading man looks, but both can play anything, from tragedy to comedy, from fools to heroes, and both can either dominate a movie or recede support into being one of the cast. Compare the versatility of Auteuil: Contemporary high drama in Cache (2005) and La Separation (1994), rollicking sword-play and romance in Le Bossu (1997), tragedy in The Widow of Saint Pierre (1994) and hopeless, dull-witted ineptitude in Jean de Florette and, especially, Manon of the Spring (both 1986) .

Mon Meilleur Ami is an easy-going, charming movie about friendship and even like. “There is no savor, impartial the tests for love;” no, “There are no tests for adore, fair like.” Both effect sense. That’s why this movie works.

Le Bossu [Region 2]

Cache (Hidden)

The Widow of Saint-Pierre

La Separation

Jean De Florette / Manon of the Spring (MGM World Films)
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