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Streaming Knightriders Online.
Movie Title: Knightriders Knightriders is available for streaming or downloading. |
Back in the 1970′s, George A. Romero went to an event of the Society for Creative Anachronism This is a group of folks who peer and recreate the middle ages, including the art of combat. At this particular event, something happened that caused a immense faction to split off and accomplish Medieval Studies and Restoration, a splinter group. According to anecdote, Romero said to himself “I gotta invent a movie about this!” He went to the sudio heads, but they did not consider such a film would have commercial viability. Then in a fit of pique he said “allright, supposing we have them joust on motorcycles? ” and that’s how the movie got made.
The legend of this movie is about a travelling renaissance faire that jousts on motorcuycles. There are two factions, one that is doing it for the Arthurian dream of honor and chivalry, and one that is doing it for the action and the money. The group fractures, but the splinter group winds up realizing that they were missing something, and there is a reconcilliation at the extinguish. People who know the actual people from the SCA and MSR and the modern events can ogle similarities in some of the characters and situations on mask to the staunch people and events.
I had known this movie from this perspective for years. Reading the other reviews here, its satisfactory to know it can be taken on more levels, even if you don’t know the current epic. I pick up that it can be enjoyed both by people who catch it seriously and for camp appeal. There are several anecdote elements that were typical for ’70′s road movies, such as the troubles with the law, the local girl who joins the group to speed her family, and so forth. The action is not the greatest of all swordfighting movies, but is passable. For flat-out motorcycle/automobile thrills, nothing beats “The Road Warrior” but the stunts here are at least well done and convincing. The meaning and spirit unhurried this film elevate it above an ordinary action film.
I discovered this film during the early days of HBO, when the mix was blockbusters and movies the networks did not want. George A. Romero’s 1981 film “Knightriders” falls into the latter category. This is about a group of free spirits who combine a Renaissance Faire with knights in armor jousting on motorcycles between the grand knights and the poor knights. It quick becomes apparent that the personas of the main characters follow those of the epic of Camelot: the King (Ed Harris), Lancelot (Gary Lahti), Merlin (Brother Blue), and Mordred (Tom Savini), along with a Genevieve, Galahad and even a Friar Tuck thrown in for obedient measure. After all, this is a symbolic retelling of the epic and if you want to capture it literally you are going to be left gradual in the dust.
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At the beginning there is a good-natured rivalry between the “beneficial” knights and the “dreadful” knights. The rules of the kingdom say if Mordred and his sad clad gang defeat the King or his champion, there will be a original king. However, there are cracks beginning to present in this idealized world. Curved sheriffs want a slash of the rob, the jousts are starting to derive out of hand, crowds are becoming unruly, and then a group of promoters reach in and want to recall over the group. This exploitational commercialism breaks the group apart until they all recognize the error of their ways. The game has to be played out by the rules, no matter what the outcome.
The heart and soul of this film is Ed Harris as Billy, who takes the record too seriously. Ultimately this curses his character as powerful as it ennobles him. Billy’s “defeat” is proof of his final victory, that the code he believes in is noble and the world he has created will work, even without him. Unfortunately, Billy can not survive for long in the steady world, for he really does sight himself as a knight on a white charger and reality does not gape excellent on such flights of savor. The final scene of the film, a series of shots of the characters in the rain, is quite intelligent.
Everybody fair distinguished agrees the film runs long, which makes it something of a hard sell to newcomers, and if you do not salvage living out a medieval life while jousting on motorcycles for paying customers particularly romantic then you should probably pass on “Knightriders.” Certainly it is a different type of film from the guy who brought you “Night of the Living Expressionless,” but you have to admit both films deal with how people deal with a reality that do not like being forced upon them.
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“Knightriders” is a solid B-Movie, with more heart and soul than you usually accept in such things. Even though this is one of his earliest films, Ed Harris provides the dignity that allows the account to be constructed on his character. Not many actors could have pulled this off. The action sequences are handsome creative given the position, especially is you like choppers. The romantic elements are mere subplots, more echoes of Camelot than anything else. I have a fondness for this film. It is not mountainous, but it is toothsome and the point it makes is rather worthwhile. How many films today can you say that about?
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