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“John Wayne – An American Icon Collection” may be the most mismatched collection of the Duke’s most offbeat starring roles available on DVD, but each film has some merits (even “The Conqueror”), and if you only know Wayne from westerns or war movies, you are in for a surprise!
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“Seven Sinners” (1940), offers Duke’s first teaming with the legendary Marlene Dietrich, with whom he’d have a brief but torrid off-screen affair. An atmospheric drama position at the ‘Seven Sinners’ bar on an exotic Pacific island, Dietrich is, as usual, a sultry chanteuse, loved and lusted after by every man who meets her, especially ‘bad boy’ Antro (played with finesse by conceal former Oskar Homolka) . When the Fast arrives, however, and ‘Golden Boy’ officer Wayne sets eyes on her, she falls hard, and he is willing to sacrifice his career for her. Of course, the ‘Higher Good’ prevails, but not before audiences procure a healthy dose of romance!
Co-starring Broderick Crawford, Anna Lee, and a surprisingly sympathetic Albert Dekker, the Dietrich-Wayne chemistry would expose so potent that they would invent two more films together.
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“Pittsburgh” (1942), the third and last Dietrich-Wayne pairing (following the Alaskan anecdote, “The Spoilers”), does a flip-flop in the characterizations from the Gold Urge anecdote, making Randolph Scott the ‘good guy’, and Wayne an opportunistic heel, willing to ‘walk over’ anybody, even his like, Dietrich, to accumulate rich in the steel industry (although he’d redeem himself, by the finale) . Playing a victim was uncharacteristic of the tough actress, however, and, while Wayne would eventually indicate an superb ‘anti-hero’, audiences wouldn’t net Wayne so ‘out-of-character’ at this point in his career. The film would not do well at the box office, ending the Dietrich-Wayne pairings…but has gained a devoted following, over the years!
“The Shepherd of the Hills” (1941), Wayne’s first teaming with director Henry Hathaway (who would command Duke to his only Oscar, 28 years later, in “Accurate Grit”), was also the first color film in Wayne’s career. A yarn of life in the Ozark Mountains, Betty Field, as moonshiner Wayne’s care for interest, ‘steals’ the film, but it does offer the novelty of shroud fable (and Wayne friend) Harry Carey playing Duke’s long-absent father. Occasionally though-provoking, but the Duke seems a bit out-of-place in the proceedings!
“Jet Pilot” (filmed in 1950, released in 1957), marked Wayne’s first film for producer Howard Hughes (yes, THAT Howard Hughes), in a cartoonish anti-Communist ‘epic’, as Air Force officer Duke converts Soviet pilot Janet Leigh to the joys of America (while she ‘lures’ him to defect, leading to a Wayne sojourn to Russia, and his easily stealing Red technology for the West) . This film is truly dreadful (which was why it was ‘shelved’ for seven years), with Hughes’ signature emphasis on long, lingering views of Leigh’s top-heavy figure (while Josef von Sternberg is credited as the director, Hughes was clearly in charge) . “Jet Pilot” is better known as the film where the legendary Chuck Yeager (who first broke the sound barrier, in 1947), was nearly killed performing the aerial stunts (while on ‘loan’ from the USAF) . The aerial footage is, certainly, the most impressive aspect of the film.
“Jet Pilot” could have been the worst film of Duke’s career, but Hughes had bigger plans, and topped even this memoir with…
“The Conqueror” (1956), the unfavorable showcase of John Wayne as Asian warrior Temujin (who would eventually be known as GENGHIS KHAN) . This film is so summarily poor, and has so many legends associated with the production (shot in the radiation-drenched sands of the Atomic test range in Utah…with many of the cast and crew eventually dying of cancer), that by notoriety, alone, it should be an ‘essential’ for any Wayne fan collection!
Directed (with a straight face) by the usually worthy Dick Powell, between the flowery dialog, the clunky costumes, and Susan Hayward as the least smart red-headed princess you’ll ever salvage, devour the campier moments, like Mexican Pedro Armendariz and short, roly-poly William (“Cannon”) Conrad as Wayne’s BROTHERS; frail actor Thomas Gomez as ‘Wang Khan’ (that really IS his character’s name) ; and the climactic moment when the Duke, surrounded by enemies, hisses the immortal words, “Approach and Acquire me, mongrels – if you DARE! While I have fingers to recall a sword, and eyes to notice your cowardly faces, your treacherous heads will not be qualified on your shoulders. For I am Temujin, the Conqueror! No prison can fill me, no army defeat me!” (Seriously, LAURENCE OLIVIER couldn’t state those lines believably…maybe Sylvester Stallone could…)
Whether you’re a John Wayne fan, or not, this collection offers plenty to talk about, at a very reasonable brand! I promise, you’ll never catch a better opportunity to discover the Duke as you’ve NEVER seen him before!
Want to study John Wayne a cramped differently, grasp this plot. This is a collection that I would guess most people, other than die hard Duke fans, have not seen. Pittsburgh is a spacious movie with a stout supporting cast. Marlene Dietrich, Randolph Scott and even an appearance by Shemp Howard of Three Stooges fame. If you request Duke to win all, be surprised. Seven Sinners is another romance with Dietrich. Jet Pilot is celebrated for some really tremendous aerial shots. Chuck Yaeger of sound barrier fame did some of the stunt flying here. Shepherd of the Hills is a beautifully shot movie with Wayne living with a curse. No barroom brawls here nor gunfights from horseback, fair great dramatic memoir telling. The Conqueror is probably the most distinguished of the movies in this collection. John Wayne is Genghis Khan. You have to examine this one to acquire it. If you like John Wayne or don’t know him that well, select this collection to discover something different from the Duke.
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