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In 1994 when Rwanda descended into the bloody madness of genocide Paul Ruseasabagina (Don Cheadle) was reasonably pick up in his process. He belonged to the Hutu majority that was slaughtering the minority with machetes and he was the manger of the five-star Hotel Milles Collines in Kigali. But his wife, Tatiana (Sophie Okonedo), is Tutsi and the Tutsi are not only being called “cockroaches” on the nonstop incendiary radio broadcasts they are being exterminated like them. Not only are his wife and children in worry, so is the rest of his family and so are the guests in his hotel. It is up to Ruseasabagina to do something about this madness simply because there is nobody else to do the job (it would be easier to call the character Paul, but given the account it seems famous to focus on the fact he was an African) .
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“Hotel Rwanda” is a just anecdote, and even though we know going in that Ruseasabagina is going to assign over a thousand refugees this is quiet a harrowing tale. For the most piece the genocide happens outside the walls of the hotel, but there are enough scenes and stories of what is happening to perform it determined that the people huddled in the hotel are in mortal trouble. What is probably the most unforgettable moment comes while a van is being driven through the fog and appears to have gone off the road (the DVD extras also have scenes of the unforgettable map the Tutsi have memorialized the victims of the slaughter at one station) .
The explanation for why the United Nations, the Europeans, the Americans, or anybody else with a speck of humanity in them does not intervene to terminate the genocide is articulated by the Colonel Oliver character played by Crop Nolte, who tells Ruseasabagina that the predicament is that these are honest shaded Africans killing other shadowy Africans. The words are spoken in disgust and are brutal, but they are horribly apt and what redeems Oliver is not only that is he is willing to command the brutal truth but that there will advance a point where orders to stand by and do nothing are no longer going to be obeyed. Likewise, the cameraman played by Joaquin Phoenix provides a memorable scene as the Europeans leave the Milles Collines and the character is so shamed not only by the retreat but also by the presence of a hotel employee holding an umbrella over their heads in the pouring rain.
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But there is one person who cannot turn his relieve on what is happening. Ruseasabagina is literally the good person in the apt spot, because only the hotel could have become a refuge for the Tutsi and only the manager of a five-star hotel could have known exactly how to placate the military men leading the massacre. Not only does he convey their language, there is a sense in which they want to train his as well, showing that even though their arms are covered in blood they can play the role of a civilized man. Cheadle’s performance, deservedly nominated for a Best Actor Oscar, is appropriately controlled unprejudiced as Ruseasabagina had to be in persuading these thugs to back him. He cracks only once when a mundane fraction of his preparing for his job suddenly becomes an impossibility to manage. He is also a hero who is flawed, making mistakes and trying desperately to do the apt thing, even if that means forcing his wife to invent a fateful promise or abandoning his family to try and place others.
There is an positive comparison to be made between “Hotel Rwanda” and “Schindler’s List.” But watching this 2004 film I could not succor thinking that if during the Holocaust there had been images of Nazis herding Jews into the concentration camps on the nightly news nobody would have done anything either (but if a whale is trapped in an ice jog in the arctic a rescue mission shall be sent) . Stories such as this emphasize the limited number doing marvelous against the colossal number doing execrable, but there is always that even larger number signifying all the people who do nothing and assent to the improper by their silence. Those who glance “Hotel Rwanda” will pick up themselves counted among that final number and should well remember that even if they were oblivious to what happened in Rwanda history will inform itself is this regard and give us another chance to do the proper thing.
This is a movie that is unforgettable in it’s honest portrayal of human brutality. It is an gross indictment of the West’s refusal to intervene in a crisis that allowed unspeakable slaughter to occur. The film is incredibly well written, well acted and the scenes are frighteningly realistic. Don Cheadle is generous as the valiant hotel manager who more than rises to the occassion using his wits to sustain his family and hundreds of others friendly in the midst of chaos. He surely deserves tremendous recognition for this role.
Rwanda is a lesson in how Governments and the media can selectively focus on predicament areas in the world and also can selectively ignore others. For example most Americans now know differences between shiites and sunnis and kurds but how many know the differences between tsuties and hutus? That fact that the hatred portrayed in this film is so irrational combined with the spy the other intention attitude of remarkable of the west contibutes to an astoundingly vulgar episode of novel history. The film does worthy to illuminate and educate.
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