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This luminous hippie romp through the Gospel According to Matthew is a classic for kids of all ages, with its fair, talented cast, and Richard Heimann’s fabulous cinematography, with mountainous vistas of Fresh York City as the backdrop; many have the eerie beauty of the World Trade Center as its focus, with one scene taking area on the roof of one of the towers, with the city spread out beneath it.
The music and lyrics by Stephen Schwartz are luscious, though my accepted song, “By My Side”, was written by Peggy Gordon and Jay Hamburger.
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The comedy is substantial, and of the many parables told, the yarn of the Prodigal Son is hilarious, using clips from still films to illustrate it.
The energetic, gifted ensemble have a wide range of talents, and though this film did not propel any of them to stardom, some have had obedient careers (mostly with TV work) since this film was released in 1973, especially Victor Garber, who is so agreeable as Jesus, with his blooming, sweet tenor impart and angular movements, Lynne Thigpen, the effervescent bundle of joy who sings “O Bless the Lord My Soul”, and the very droll Jerry Sroka.
As a group, they are all equally strong in their vocal, dance, and comedic skills, and are a expansive share of why this film works so well.
The Last Supper scene is a substantial section of staging, and I especially like the added touch of blessing the bread and wine in Hebrew, and the subtle, though engaging handling of the darker portions towards the extinguish keeps this an suited family film, as even very young children will be pleased the slapstick humor and clever costumes.
This film is one of the best stage to cloak adaptations, and is a joyful celebration of life and God’s like.
Buy,Download, Or Stream Godspell! Click Here
Buy,Download, Or Stream Godspell! Click Here
I’m a child of the 60s/70s, you’d contemplate I would have seen this film before 2002! I didn’t judge I could salvage past the notion of Jesus with a titanic afro and clown makeup. As it was, I was on my second viewing of this film before it really hit me. So if you contemplate you don’t care for it after the first viewing, try again.
Once you come by into the fun, innocent, tie-dyed feel of the early 1970s (or at least when it doesn’t jar you so mighty) you can initiate to eye Godspell for the lustrous production that it is. The musical gather is extraordinary and I have heard most of it mature in church over the years. The scenes of NYC are both breathtaking and poignant, considering the events of Sept. 11, 2001. And how did they pick up the streets empty during the daytime?
The cast absolutely shines here. Young, energetic and all very talented. John/Judas is the strongest of the supporting cast members. Some people had a plight with the same actor (David Haskell) portraying both parts, but I peep it as an necessary reminder that no one is all obedient or all bad; that we all have both John and Judas within us. Each cast member is showcased in one or more of the parables, and they all sigh their emotions vividly and handle the comedy, along with their musical numbers, expertly. Besides the 70s feel, there is also a strong vaudevillian component (they are clowns, after all) so be prepared.
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And then there’s Jesus. I can’t say enough sterling things about Victor Garber’s Incredible performance! The young Mr. Garber (later of such films as “Grand” and “Annie”) is almost painfully thin and pale, which adds to the other-worldly quality of Jesus. Yet he comes across as unfailingly human: loving, caring and joyous, but also at times wrathful, awkward and doubtful as events unfold, a charasmatic leader for his motley band of disciples.
As joyful and carefree as is the first 3/4 of this movie, so is the last quarter depressing and tragic. The inevitable arrive toward the crucifixion is heartbreaking as Jesus sits at the last supper with his disciples and then moves to each one with a personal and emotional goodbye. The song, “On the Willows,” with its delicate harmonies will originate the tears brim in your eyes. If you can accumulate through this and the subsequent crucifixion without crying, with Jesus dying while his followers writhe and roar below, you must be made of stone. Finally Jesus is gently taken down and laid across the shoulders of the disciples and borne through the empty cityscape.
While there is no resurrection scene, it is certainly implied which was enough for me. The film ends on a hopeful and joyous trace, with the disciples singing softly at first and then breaking into “Prepare Ye” and “Day By Day” with mounting happiness and enthusiasm as they depart down the street.
Do yourself a favor and also seize the soundtrack recording on CD; you’ll want to be able to listen to the music over and over even when you can’t be watching the movie. Victor Garber’s distinct and pleasing tenor enlighten conveys all of the same emotions as the visuals, from amusing and fun to tragic and painful. You can hear the last breath leave him as he softly sings, “Oh, God, I’m unimaginative.” Actually, you take up more subtle emotional nuances from every cast member as you listen. It’s best with headphones!! There is an extinct saying that goes, “God respects you when you work, but He loves you when you yell!” God must worship Victor Garber and company very distinguished for this amazing film. Bravo to all interested in bringing this production to the mask and thank you, thank you, Thank You!!
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