Watch George Balanchine’s The Nutcracker Movie Online
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Watch George Balanchine’s The Nutcracker Movie Online.
Movie Title: George Balanchine’s The Nutcracker George Balanchine’s The Nutcracker is available for streaming or downloading. Click Here to Stream or Download George Balanchine’s The Nutcracker |
“The star of this company has always been choreography”–Peter Martins
Peter Martins, Artistic Director of the Novel York City Ballet (NYCB), makes an honorable point, and this is one of the most compelling reasons to give serious consideration to this particular version of “The Nutcracker.” George Balanchine’s choreography is commendable for its musicalness. He traditional to say, “The music comes first,” and this ballet features an outstanding musical accumulate by Peter Ilyich Tchaikovsky. This video is not fair a dance film, but also a feature film that played in theaters. Movie star Macaulay Culkin plays the Nutcracker. He was formerly a student at the School of American Ballet (SAB) . Other children from SAB also dance in this production, including Jessica Lynn Cohen as Marie. The well-known dancers are Darci Kistler as the Sugar Plum Fairy, Damian Woetzel as her Cavalier, Kyra Nichols as Dewdrop, and Wendy Whelan as Coffee–these talented NYCB artists bring out the expert detail of Balanchine’s choreography.
This production was taped in a studio setting, not during a live performance. Consequently, there was tremendous opportunity for multiple outtakes until they got everything fair how they wanted it. There are no bobbles, limited mistakes or slips on the stage by the dancers. The same is legal for the orchestra, and they play with finesse. The dancing is not only wonderful technically, but also theatrically. (It is my general impression that dancers assign more emphasis on their facial expressions in feature films than in live performances, and this video is no exception.) There is another thing about this title that makes it special: it is a beautiful all-around production. There are nice costumes and scenery. There are some expert comedic touches here, not corny stuff like the dancing chickens that are found in another well-known ballet. The camera angles are well view out, and there are also some very effective video special effects extinct, such as monotonous motion. A libretto is provided in the manufacture of narration. Overall, this is a high quality production.
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There is a comprehensive analysis of this title in Robert Greskovic’s book, “Ballet 101: A Complete Guide to Learning & Loving the Ballet.” He writes, Balanchine’s Nutcracker “records the American production that was probably more responsible than any other for giving rise to the nationwide popularity the ballet possesses in the United Sates in the twentieth century. This is the production devised by Balanchine in 1954, recalling the staging he was brought up with when he was a young student and dancer in St. Petersburg (1915-1924) .” (p. 254) Greskovic’s noble book is also for sale at Amazon.com.
There are many different commercial versions of this ballet available, and this is one of the best to settle from. Some have a Sugar Plum Fairy, and some don’t. In those that don’t, Sugar Plum’s parts are acquired by Marie, who is usually noteworthy older in age. Although Darci Kistler and Damian Woetzel’s performance in the mountainous pas de deux is scrumptious, I personally pick the versions where Marie and the Nutcracker Prince dance the fragment together instead, because it seems more natural to me that the two main characters dance the musical climax. Unfortunately, the productions that omit Sugar Plum often do not include children in them, and I collect that the early numbers in act one work better with dependable children, rather than adults posing as children. So, it’s usually a tradeoff. I particularly devour the NYCB corps routines to “Waltz of the Snowflakes” and “Waltz of the Flowers”–featuring Balanchine’s outstanding choreography. Many young dancers from SAB appear in this film, and that makes it elegant to young children. This is an suitable production for the entire family to luxuriate in together….
All things considered, I have to say that this is quite an palatable theatrical presentation of Balanchine’s “The Nutcracker.” Looking at “the reveal” itself, its most rave-worthy characteristic is how well the team of Peter Martins (ballet master), Emile Ardolino (director) and Ralf Bode (cinematographer) collaborated to actually “choreograph the camera” to the movements of the performers. Thanks to a talented movie crew and an astounding amount of consideration given to viewing angles (read the description in the disc’s “special features”), the TV always seemed to be showing exactly what I wanted to peep at on the stage. Add in some nice work by Industrial Light & Magic, decent narration, and a agreeable production team, and the result is a edifying presentation.
From a performance standpoint, I’d give this an A-minus mainly because the versions of “The Nutcracker” I’ve seen most often cast the Nutcracker Prince in a noteworthy more active role dancewise. Calm, everyone else did a wonderful job. Worthy were the Pas de Deux by the Cavalier (Damian Woetzel) and Sugarplum Fairy (Darci Kistler), and the distinguished dance presence of Coffee (Wendy Whelan) . The other “Sweets” performed very well also. So long as you try not to characterize Macaulay Culkin as a ballet dancer, you’ll be okay. Let’s face it: you can’t demand the minute guy to measure up next to the NYC Ballet, but he is there to add a itsy-bitsy star appeal and possibly sell ballet to your kids (which may not be a terrible concept) . Nuff said. By the scheme, the younger performers from the School of American Ballet were fabulous.
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Regarding disc features, the DVD has some cold stuff to offer: two viewing formats, 30-scene index, and some ample production notes regarding the history of the display, camera choreography and description of ILM’s special effects.
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