Watch Eko Eko Azarak 3 – Misa the Dark Angel Movie Online
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Watch Eko Eko Azarak 3 – Misa the Dark Angel Movie Online.
Movie Title: Eko Eko Azarak 3 – Misa the Dark Angel Eko Eko Azarak 3 – Misa the Dark Angel is available for streaming or downloading. Click Here to Stream or Download Eko Eko Azarak 3 – Misa the Dark Angel |
It had all the makings of an delectable schlock horror: Flesh burning demons, high school girls into acting and girl/girl like, and an eccentric coroner who was also uncle to the focus of the legend, a teen witch. In other words, all the sorts of things to construct you shout in awe on occasion, but mostly inaugurate rolling on the floor laughing – something that would support you highly entertained. So what made this “Sabrina the Teenage Witch” meets “Friday the 13th” worthy less fun than it could have been?
Well, for starters, most of what was on the mask was barely visible. Misa has some of the darkest film footage known to man. My best guess is that the director was looking for a “noir” perceive, but instead ended up with indoor scenes that seem as if they were processed in dusky coffee. At moments where you’re supposed to be stunned, you’re instead going to be saying “what’s going on? ” since you can’t develop out the dismal shapes sharp around on the veil.
Problem two would be the unsteady camera work. While the outdoors scenes were heavenly well done – they actually had a kind of dreamy quality, with lots of soft focus and diminutive overexposure – many times the camera movement detracted from the moment because it was so unsteady. While this may be a desired attain when monsters are giving trip, there’s no dependable reason for it when the girls are simply standing around talking.
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The third downfall: audio. The voices on the Japanese track were unintelligable at times. (But it’s not a defect of the DVD. It seems to have happened during the valid filming; most likely it’s related to the movement of the actresses away from the microphone.) It happens often enough in conjunction with poorly lit scenes to become truly annoying. After all, you don’t recall a movie only to read the subtitles. (Which by the procedure, are hardtitled onto a sunless bar which takes up the lower quarter of the shroud on the subtitled version. Yuck!)
The voices on the dubbed track fared noteworthy, remarkable better -they were loud and sure actually – but they were a diminutive too “hyper-americanized-anime” for my taste.
On the plus side, considering the source material, Media Blasters did the best they could with the DVD. Having both versions -English and Japanese- was mountainous (assume succor to all those “newly” released Jet-Li DVDs which only had the god-awful English tracks!!!) The photo gallery was also heavenly nice (though it kind of makes you wish that whoever shot the stills had done the DP work on the movie) .
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In the kill, unless your a actual spacious fan of not-so-scary teenage sorcery terror fests, pass this one up, or if you curiosity is eating away at you, rent it before you seize it.
A young woman collapses on a Tokyo street, muttering the name “Misa Kuroi”-and then dies. At the city morgue, two police detectives discuss Misa Kuroi, a figure they acquire to be nothing more than an urban fable, a supposed teen-aged witch who investigates peculiar cases. As it happens, while they are talking, the steady Misa Kuroi slips past them and enters the morgue. She examines the corpse and determines that it has been eaten away by parasites from another dimension.
Following a clue in the stupid female’s belongings, Misa goes to a nearby high school for girls. Misa befriends a student named Aya and enrolls in Aya’s drama club. Hikaru, the “Chief” of the drama group, assigns Misa a fragment in the unique play, which seems to incorporate many occult elements.
The girls from the drama club utilize a holiday period for extra practice at an veteran house that once belonged to Baron Etori, the founder of the high school. During one practice session, while Misa is in another fraction of the building using the telephone, Hikaru and the other girls topple into a trance and launch to invoke the Seven Angels of Darkness:
·Atorakunakua, god of the spider (Atlach-Nacha) ;
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·Huster, god of the wind (Hastur) ;
·Tsatugua, god of the underworld (Tsathoggua) ;
·Nialratohotepu, god of chaos (Nyarlathotep) ;
·Dagon, god of water;
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·Shupunigras, god of the unlit goat (Shub-Niggurath) ; and
·Cthulu, the sleeping god (Cthulhu) .
Misa returns and interrupts the ceremony before it can be completed, but sinister forces, in the make of misshapen cloaked figures, have been unleashed. One by one, the other girls are killed by the creatures of darkness, until only Misa, Aya, and Hikaru remain. Misa attempts to explain the source gradual the eldritch events at the house, and this proves to be the long-dead Baron Etori. Etori’s spirit claims descent from the Weitly (Whately) family, distinguished servants of the demon-god Yog Sototo (Yog-Sothoth) .
Etori’s spirit informs Misa that the deaths of the other students have been arranged as sacrifices to Yog Sototo. In return, Yog Sototo will give corpulent human life to a Homonculus, an artificially created being. Puzzled by this, Misa banishes Etori’s spirit-only to learn that both Aya and Hikaru are Homonculi, created by Etori’s magic in years past.
Somehow Aya lost her memory of her unnatural creation, and was raised by foster parents, believing that she was a normal human being. Hikaru, however, is working in consonance with the Baron’s idea. She kills Misa, and then begins the final arcane preparations to sacrifice Aya to Yog Sototo. Hikaru feels this will manufacture her completely human.
But Misa’s mystical powers enable her to return from death to defend Aya. In the confrontation with Hikaru, Misa blasts Hikaru with sorcerous energies-which also cast Hikaru wait on through time, where she appears on a Tokyo street, dying as she speaks the words “Misa Kuroi”. . . .
The storyline is a bit murky-why Yog Sototo or the Angels of Darkness would care about making a Homonculus fully human is not determined to me. But I did like the movie, with its modest Cthulhu Mythos references, and its rather somber protagonist. In addition to being an enchantress, Misa is also a Buffy-style fighter; in one sequence, she hikes up her skirt, pulls a dagger out of a thigh sheath, and starts carving up a band of robed zombies.
I found it inspiring that whoever did the English-language translation did not peer the unusual sources for “Huster” and “Tsatugua” and the other Mythos names, and instead tried to phonetically transcribe the Japanese versions of these names succor into English.
I’ve seen a couple of reviews of Misa that referred to elements of nudity and lesbianism, but none of that appeared in the print I watched. (Although it was clearly implied that some of the girls in the drama group were romantically eager.)
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