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25 Nov

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Movie Title: Doctor Who: The War Machines
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth’s past to encounter a critical historical figure, War Machines is place in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series’ young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are colossal enough to interact with the rest of the characters, unlike Planet of The Giants.

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As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would do it smack down in the beginning of the Pertwee Years, honest next to a simlar fable, Mind of Unfriendly, about a machine taking over people’s minds. If anything, The War Machines foreshadows the Third Doctor’s era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and exercise it toward another approved 60s TV program, The Avengers, it would feel factual at home. I anticipated John Steed and Emma Peel to exhibit up on my TV mask at any little.

Incidentally, the concept expressed that Doctor Who finally has taken its intended design with The War Machines is about as bogus the Doctor’s background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the “intended course” stamp. This is not to say that the recent direction of the present is awful, but let’s not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.

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Basically, The War Machines steers Doctor Who in a unusual direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this record could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the kill that she has decided to conclude in London, and bids the Doctor goodbye by relaying a message through the current companions, Ben & Polly. As the Doctor says, that’s gratitude for you, not even showing the decency to witness the Doctor off personally after being given the experience of her life. Dodo should have gotten a more sizable exit. As for the aforementioned modern companions, Ben & Polly fit in with the swinging 60s era, and Polly is aesthetic to the contemplate, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can impartial peer them telling the Doctor that “we have decided to remain here” at the destroy of this anecdote, fate having steered the Tardis encourage in their bear time finally. An opportunity sadly lost…

This is an delicious sage from the William Hartnell era of Doctor Who. The Doctor and his companion, Dodo, land in 1960s London shortly after the completion of the Post Office Tower. A trace original thinking computer system, called WOTAN, is housed in the tower. The computer can believe for itself, and it decides that humanity is not properly bright to be in control of the Earth. WOTAN takes over men’s minds by means of hypnotism, and has them construct grand war machines in recall locations throughout London, and the war machines will be stale to attack London and bring London, then England, then the entire world under WOTAN’s control.

The account seems rather dated to original sensibilities. The war machines themselves are especially comic in today’s world of microchips, and mini computers. These sizable machines are portable computers, complete with 1960s era computer tape reels, and rather pointless weapons. However, to 1960s youth (and we must remember that Doctor Who was a children’s note) these machines must have appeared quite frightful. If you’re familiar with later era Doctor Who shows, the war machines recognize a lot like the cleaners from Paradise Towers in the Sylvester McCoy era.

This anecdote was missing entirely from the BBC archives by the mid 1970s, but through the diligence of fans it has been restored. There is a short documentary narrated by Anneke Wills that explains how the narrative was pieced befriend together. The other extras that are on the DVD include: excerpts from the BBC children’s program, Blue Peter, that shows the Post Office Tower (or GPO Tower as it was known) being built, plus an appearance by a war machine touting the upcoming modern Doctor Who Adventure, a brief then and now feature showing locations extinct for the narrative as they exist today, and a short documentary about the GPO Tower narrated by the mature Post Master General. There is also commentary by actress Anneke Wills, who played Polly and director Michael Ferguson, plus information text. It’s not overly heavy on extras, but the ones that are there are quite provocative. The quality of the characterize is obedient thanks to the restoration team’s efforts.

While William Hartnell is not my well-liked Doctor, but I did bask in the legend. The computer taking control of its creators would be archaic again throughout the fresh rush of Doctor Who, such as the Pertwee memoir The Green Death. The War Machines proceeds at a nice bolt, and gives a consuming understanding of English society in the mid-1960s. This is also a well-known record regarding the Doctor’s companions. First it is the last record to feature his companion Dodo, although they really did a lousy job writing her out of the series. Second this yarn features the first appearance of original companions Ben and Polly. Third, I possess this is the only complete narrative existing featuring Ben and Polly.
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