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26 Sep

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Movie Title: Count Yorga, Vampire
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Written and directed by Bob Kelljan, who later directed episodes on various 70′s TV shows like Starsky and Hutch, Dukes of Hazzard, and Charlie’s Angels, Count Yorga, Vampire (1970), aka The Loves of Count Iorga (not a misspelling), did extremely well when it opened.

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The movie starts off with a scene of a mammoth cargo ship sitting at a dock off some California sail, and a grand, coffin shaped crate being loaded on a truck. As the truck drives away, we are treated to bid over that sounds like a mix between Ricardo Montalban and Harvey Fierstein talking about the vampire mythos. The truck continues until it comes to a secluded driveway with a huge gate. Next we go to a séance in progress, being conducted by Count Yorga, who, if you’re familiar with the title of the movie, is a vampire. He ends up secretly putting the whammy on one of the women show, and then gets a slouch home from a couple in their VW minibus…I have to say, it was kind of amusing seeing this young couple and the aristocratic Eastern European (we learn that the Count came to America from Bulgaria) and very sophisticated Count crammed into the front bench seat of a minibus. Anyway, the couple drops the Count off after declining his offer to arrive into his home, and they fetch stuck in some mud along the Count’s long driveway. This starts a five-minute discussion about mud. Where did the mud near from? How did we miss it approach in? How near the rest of the ground is dry? Blah, blah, blah…it’s scenes like this that really dragged this movie down. I guess, among the Count’s other supernatural powers, creating wind and lighting, manipulating objects with his mind, mind control over animals and humans, tidy natural strength, he can also accomplish mud. After hearing a wolf howl, the couple decides not to saunter support to the Count’s house but to utilize the night in the minibus, and after a itsy-bitsy lovin’ in the serve of the van, they are soon visited by a dim stranger (two guesses who) . As the movie progresses, the Count takes a couple of women (Count Yorga needs women!) in the plot vampires do, and the men start to suspect something is depraved, and whatever it is, it’s directly linked to Count Yorga. They originate throwing around the theory of vampirism, with some willing to occupy once offered proof, while others refuse to derive even the possibility as they reflect the notion is purely a work of fiction. After powerful goofy dialogue, two of the men settle to select matters into their have hands and try to sneak into the castle and convince themselves that Count Yorga is a vampire. They seize along a female character, as they anxiety to leave her alone (vast notion, recall her into the lair of a suspected vampire) . If they are able to confirm that Count Yorga is a vampire, they intend to waste him, and their friends who have been turned, as there is no cure for bloodsucking other than a wooden stake in the heart…the last twenty minutes or so things the trail picks up attractive well, as the two men confront Count Yorga and his brides from hell. And how could I write a review about this movie without mentioning Brudah, the Count’s mostly soundless, brutish servant? Oh man, he is great for a few laughs…he walks around the entire movie looking like a transported cavemen in a dreadful sport coat and tie. I kept injecting my have lines for unpleasant Brudah when he had none…I imagined when he spoke, each sentence would be preceded by his maintain name…”Brudah want woman”…”Brudah drive car”…”Brudah need shave”….

The dialog throughout the movie is rather clunky but oddly realistic at times. The actor playing Count Yorga, Robert Quarry, was the highlight of the movie, really getting into the fraction creating a truly believable and scary character. I vaguely recognized him, but then remembered seeing him in Dr. Phibes Rises Again (1972) . The direction was passable, but got annoying at times, especially during scenes with conversation, as the director would form many needless cuts abet and forth between characters, sometimes showing the assist of a character who was speaking… there was some blood and one scene in particular, with a cat, that was attractive monstrous. The one actor most will probably survey in this film is Michael Murphy, who played the mayor in Batman Returns (1992) and has been in a few Woody Allen movies like Manhattan (1979) and The Front (1976) . The scares were mostly of the cheap kind, things popping out at the viewer accompanied by a loud sound accomplish or startling music. The film has a 90-minute urge time, but I opinion some trimming would have been useful, and would have quickened the trail.

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The presentation on this disc looks really huge, and special features include a trailer for the film and a elegant reproduction of the recent movie poster on a microscopic card on the inside of the case. Age hasn’t been kind to this movie, as the dating is very apparent in the wardrobe and hairstyles of the various actors, but I deem the movie is worth looking into if you are a alarm movie fan, mainly for Quarry’s performance. A sequel was released a couple of years later titled The Return of Count Yorga (1972) .

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It was no secret in the early 1970′s that American International Pictures were grooming Robert Quarry to seize over the mantle of their number one apprehension star, from the ageing Vincent Label. Designate was none too satisfied about the treatment he received from studio executive’s and made his feelings felt on several occasions. One well known epic has it that during the filming of “Dr Phibes Rises Again”, Tag heard someone singing Gershwin and looked around the corner to gawk Quarry in bulky jabber. Quarry turned to Ticket and remarked “Vincent, you didn’t know I was a singer!”. To which Trace replied “Well, I knew you weren’t a ******* actor.”

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However, Quarry did design a radiant decent vampire on three occasions in “Count Yorga”, “The Return of Count Yorga”, and the lesser known “Deathmaster”….all films being made virtually aid to wait on! “Count Yorga” started out as a thought from writer / director Bob Kelljan to produce a soft porn style vampire film, however when he recruited Robert Quarry to play the lead, Quarry convinced him to play it straight for thrills. Keeping in line with the modern age, hippie influenced culture of the 1970′s, the film sees Count Yorga posing as a psychic medium and leading unsuspecting & naïve guests into his vampire clutches! The film saw a departure from the more Hammer influenced style of vampire movie where the female underlings to Christopher Lee were buxom, heavenly women. In “Count Yorga” however, the female servants of Yorga are haggard, disheveled harpies from the grave that mercilessly carry out the contaminated biddings of their master. Additionally, the film was noticeably more violent than Hammer’s Dracula series, and shifting vampires to a contemporary setting ( as opposed to Hammer’s Carpathian Mountains of the 1900′s ) became the standard for vampire film’s for many years to arrive, and definitely revitalized the declining movie fan’s interest in blood suckers.

Kelljan does a exquisite obliging job of keeping the status ticking along, and Quarry does provide some solid scares….especially the shots of him bearing down on his victims in dead motion, arms outstretched and fangs bared. Well worth a spy, “Count Yorga” is an though-provoking fragment of vampire cinema that provided the genre with worthy needed new blood.
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