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Last year, I reviewed the book CHOCOLAT by Joanne Harris. I’m glad to portray that this film adaptation is even better than the print version. And how often can one say that with a straight face?
The film begins with a north wind blowing Vianne (Juliette Binoche) and her daughter Anouk (Victoire Thivisol) into a diminutive French village at the very beginning of Lent, that pre-Easter period of time, which, in the Catholic liturgy, is dedicated to prayer and physical self-denial. It’s not a respectable time for Vianne, an apparent non-Christian, to commence up a chocolate shop across the town square from the church. But, she does so anyway, mighty to the anxiety of the village mayor, the Comte de Reynaud (Alfred Molina) . Reynaud is puritanically clear to shut the shop down, and Vianne is equally definite to withhold it start. An irresistible force meets an immovable object.
CHOCOLAT, both the book and movie, is a whimsical comedy that blossoms as Lent progresses, and Vianne’s shop becomes a space of healing and sanctuary for several of the town’s unnerved residents. Because Vianne’s store is seen (by the local Church establishment) as diametrically opposed to the spirit of the season, the chronicle can also be taken as a gentle sage of conflict between Christianity and paganism.
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Juliette Binoche is glorious in her role. (I deem I’m in care for.) Judi Dench is her usual righteous best as Armande, an traditional widow deprived of her grandson’s company by an over-protective mother, Armande’s maintain daughter (Carrie-Anne Moss) . There’s also a runt role played by Leslie Caron. (Where’s she been in original years? ) And Alfred Molina is positively luminous as the uptight mayor, so dominant that he personally writes the Sunday sermons to be delivered by the local pastor, Fr. Henri, apparently only recently ordained and considerable in fright of the Comte. Johnny Depp has an bewitching role as one member of a band of despised river gypsies unprejudiced floating through.
One very profitable reason why CHOCOLAT the film is better than CHOCOLAT the book is the added dimension of visualization which the obsolete imparts to several elements of the storyline, specifically the mysterious wind that blew our heroine into town, Anouk’s pet Pantoufle, the savory chocolates themselves (seductively arrayed in the shop window), and the climax of the conflict between Vianne and the Comte.
CHOCOLAT the film is one that will have the audience leaving the theater feeling beneficial, and maybe wishing for a cup of Vianne’s hot chocolate with a pinch of cayenne pepper. I can’t recommend this cinematic gem enough.
Lasse Hallstrom’s film version of the Joanne Harris’ recent Chocolat is as toothsome a confection as were the heroines’ chocolate creations themselves. The station is intricate and sharp, carrying the viewer through the emotional transformations of each of the main characters. In a sleepy medieval French town where life has assumed a repressive structure that has created an emotionally frozen and empty life for even the most highly placed members of its society, the heroine Vianne and her daughter come to situation up a chocolate shop. With her wonderfully concocted sweets she manages to liberate some of the denizens of the town, revealing their potential for greater happiness. The record has a sense of story, fantasy, and fairytale about it that leaves the viewer with a feeling of personal satisfaction.
Buy,Download, Or Stream Chocolat! Click Here
Buy,Download, Or Stream Chocolat! Click Here
This is a film fat of strong female performers. Judi Dench is especially unbelievable as a curmudgeonly elderly woman estranged from her daughter and forbidden to peruse her grandson. Juliette Binoche does a resplendent job as the heroine. She is as fragile and seductive as Monroe in some scenes and as forceful and independent as Bacall in others. Lena Olin is improbable as the abused wife who rises from the confusion and ashes of her have ruined personality like a phoenix under the influence of the heroine.
This is one of the best movies I’ve seen in a ling while, and I ask to order and read the book upon which it was based–something I rarely do.
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