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Movie Title: Charlotte’s Web Charlotte’s Web is available for streaming or downloading. |
I’m amazed that the enchanting film “Charlotte’s Web” is almost thirty years former, but it’s as fabulous today as when it was released (1973) and the production values equal those that we believe children’s films by even today. This movie is the only inspiring version of E.B. White’s unique by the same name (c. 1952) that I’ve found. The new was a 1953 John Newbery Honor book (not the 1st-place prize, the “Newbery Medal” but one of the runners-up) . Hanna-Barbera produced a faithful rendering of the modern, which is one of the reasons for the film’s success.
Another reason for the enduring popularity of this VHS is the knowing casting of deliver talent. The chief characters’ voices are played by some of America’s most prolific actors of the early 1970s, including Rex Allen, Paul Lynde, Agnes Moorehead, Debbie Reynolds, Henry Gibson, and Pamelyn Ferdin. Don’t remember some of these people? Here are some reminders:
The slow Rex Allen (narrator) was the quintessential dispassionate narrator of so many Walt Disney nature specials and made many early movies; tedious comedian Paul Lynde (rat), who is the only Templeton I can ever imagine as he’s the only actor I assume has mastered the art of the “verbal sneer,” had his beget variety show; the leisurely Agnes Moorehead (goose), played Endora the witch on the “Bewitched” series and had parts in over 70 feature films; tiresomely-perky Debbie Reynolds (Charlotte), known for movie musicals and dancing, is fairly inoffensive in this movie, even during the relatively brief vocal numbers; Henry Gibson (Wilbur), is a comedian whom you’ll remember from the TV series “Laugh-In”; and Pamelyn Ferdin (Fern), who must have had screech lessons after she did the narrate of Lucy Van Pelt in “You’re a Obedient Man, Charlie Brown” (what, 1969? ) and before she participated in this project–somehow she lost the “yelp” that makes her so distinguishable– (Remember Pamelyn? You can also easily take her out in an mature original-series “Star Jog” episode in which she plays a SCARY child named Mary! Sorry, I’m off the subject.)
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There’s so remarkable to savor about this film. I always laugh at the scene in which the goose encourages Wilbur to remark for the first time and he grunts/oinks and then stammers, “W-w-w-w-w-w-Wilbur! ” (Overlook that he immediately discovers that not only can he talk, but he can Protest!) Gibson’s portrayal of Wilbur, the paralyzed, queasy, litle-bit-naive young pig is very endearing, but his remark isn’t as distinctive as that of other actors of that era (George Lindsey, for example) . If someone ever re-makes “Charlotte’s Web,” their greatest obstacle to moral success will be replacing Paul Lynde, the ideal Templeton.
Templeton staggering drunkenly encourage to Wilbur’s crate after gorging himself all night long at the shapely is a classic scene. His grossly distended belly seems to have a life of its maintain as it ripples and burbles along independent of the movement of the rest of his body. Big animation!
I really like the pick up by a couple of guys named Sherman (brothers? ) and the orchestration by Irwin Kostal; in addition to the expected bright numbers, there are some very nice gentle songs, one of which is beautifully sung by a men’s choir. My bear approved number is the one sung by a barbershop quartet (a genre which deserves more attention than it gets) at the radiant.
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Even though this film is so “customary,” I assume it was ragged as casting inspiration by CBS/Endemol when they selected George Boswell for “Sizable Brother.” My accepted scene is an exchange between Mrs. Zuckerman and her husband as they discuss the meaning of Charlotte’s first spiderweb message. Edith: “Seems to me you’re a cramped off; seems to me we have no ordinary spider.” Homer: “No, it’s impartial a celebrated grey spider. Peep? It’s sittin’ fair there.” If “Charlotte’s Web” is made into a live-action film, BB’s George would be ideal for the role of dim-witted, understated Homer Zuckerman. George even looks like the cartoon character!
On a more serious notice, Charlotte’s straightforward attitude about her approaching death offers an opportunity to talk with children about death. This movie also presented my first chance to talk with my son (almost 4) about where meat comes from. When the Arabels discuss Wilbur being turned into bacon and ham, my boy was quite intriguing. He seemed apprehensive, but so far hasn’t refused to eat meat!
So if you don’t already have a copy of “Charlotte’s Web,” choose this video before it’s taken out of circulation; it’s a gem you’ll want in your collection. Need a memorable birthday or holiday gift for a child? You can’t go sinful with a classic movie, and this is obvious to be a favorite–as you will be if you give “Charlotte’s Web” to a lucky boy or girl.
E.B. White’s tender fable of life, esteem and loss has never been more eloquently-told than in this classic titillating musical version of CHARLOTTE’S WEB, now finally on DVD. It’s the myth of Wilbur the Pig, and his fantastic friendship with Charlotte, a spider who decides to succor him when it’s revealed that Wilbur is to be fattened for slaughter. Charlotte and her web may honest bear the key to Wilbur’s salvation. Henry Gibson and Debbie Reynolds add astonishing layers to the roles of Wilbur and Charlotte in their vocal performances. Agnes Moorehead plays the triple-talking Goose with Paul Lynde as the rotten, sly rat Templeton. The role of Fern Arable, the young girl who saves the baby Wilbur, is played with vivid innocence by Pamelyn Ferdin. The radiant gather by the Sherman Brothers perfectly enhances the memoir. This is one of those childhood movies you never seem to outgrow. A accurate family favourite.
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Forget the upcoming remake with Dakota Fanning. This will always remain the definitive shroud version of CHARLOTTE’S WEB.
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