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I’ve purchased every disc release of this movie: the expensive LaserDisc collector’s situation, the current DVD release and the subsquent Director’s Sever, and this original Blu-Ray of the Director’s Slice. The Blu-Ray release stands head and shoulders above the rest for record quality, color, and sound.

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My only gripe is that the modern theatrical cleave is not available on Blu-Ray as a separate item or as an alternative viewing option on the Director’s Lop. The theatrical crop is the one that most of us saw first and saw over and over again over the course of some 20 years before the Director’s Slit was released on DVD.

The additional footage in the Director’s Gash is involving but, to me at least, seems intrusive. It interrupts the lumber and tempo I am stale to. There is also a brief scene of female nudity that seems a bit gratuitous. The scene does, though, lend some weight to a scene later in the film where you explore Constanze’s begin hostility toward Salieri. Normally I’m not one to complain about a shrimp female flesh being exposed, but I consider the film works well enough without it.

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Other “unusual” scenes follow attractive mighty the same description: they are consuming but their necessity is debatable.

There is one minute addition that I did delight in, though. Early in the film, during one of the scenes where the elderly Salieri is confessing (? ) to the young priest, Salieri is recounting the episode when he first met the young composer Mozart he’d heard about for so many years. He was blown away by his talent but outraged and offended by his peurile behavior. He insisted to the priest that such talent (evident in one composition in particular) could not and should not exist in such a vile and low child. That smart composition simply HAD to be an accident! Salieri’s lines are briefly extended in that moment, and it adds a incredible touch of menace. I can’t understand why it was lop from the recent release.

The LaserDisc release included a extraordinary behind-the-scenes documentary called “The Last Laugh”. So far I haven’t seen it included in any DVD or Blu-Ray release. I’m holding on to my LaserDisc player for precisely that reason. Add that documentary to this Blu-Ray release and you have a slam-dunk 5-star product.

Depending on the release version, this Blu-Ray movie may approach in book acquire and include a short bonus CD of some music from the film and a portray booklet. If you bought/buy the version that comes with the bonus Digital Copy of the film (available at some retailers but harder to procure online), possess in mind that the Digital Copy is NOT compatible with iTunes and cannot be loaded to your iPod. There is no wording on the package to present this. One has to commence the Digital Copy booklet to fetch that out. The Digital Copy booklet looks the same on the outside as the booklet for the Digital Copies of other movies that ARE compatible with iTunes, so a consumer who has purchased iTunes-compatible Digital Copy-included DVDs before could reasonably occupy this one would be compatible also. That consumer would be wicked. Nice bait-and-switch, don’t you believe?

If you got the non-book version of the Blu-Ray, it probably didn’t arrive with the bonus CD, booklet, or Digital Copy.

I saw this movie awhile befriend and it was an astonishing movie. I honest have one inquire what is the contrast between this version and the Booklet style bluray that has already been released? Is it WB impartial double dipping again or does this version of the film have a better transfer than the previous one?
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Amadeus Movie Streaming. Movie Title: Amadeus Average customer review: Amadeus is available for streaming or downloading. Click Here to Stream or Download Amadeus

I first saw “Amadeus” around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long esteem of and appreciation for classical music.

I won’t order the memoir synopsis as it’s already been thoroughly described both by Amazon.com’s primary review and multiple customers here already.

I will say though that this edition, ‘The Directors Cut’, is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD…gone is the annoying 2 sided ‘flipper’ that the first release was. You can now discover “Amadeus” from begin to accomplish without having to find up and turn it over. For my money, that’s reason enough alone to absorb this recent version.

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Secondly, ‘The Directors Cut’ now adds about 20-30 minutes of previously deleted scenes, placed benefit into where they were originally intended. Personally I obtain some of the newer stuff enhances the memoir overall and fills in some details that were left vague in the fresh theatrical release. I won’t give away any details, but there is a novel scene between Mozart’s wife, Constanza, and Salieri, Mozart’s chief musical rival (and secret arch-enemy) early in the movie that puts an whole fresh perspective of Salieri’s bent and battered psyche.

As for the DVD itself, the relate and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.

If you loved the recent, you owe it to yourself to retract up this version. If you’re novel to classical music and Mozart, this is the best site to originate.

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lr** Jan 30,2003

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HIGHLY RECOMMENDED.

If you’re a fan of the new theatrical slit of “Amadeus” you’ll have mixed feelings about the “Director’s Slice”. While I perfer the latter for a number of reasons, the feeling and accelerate of the recent theatrical version differs somewhat from the “Director’s Chop”. The most considerable piece are extended scenes that include Salieri agreeing to relieve Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the point to between Mozart and his leading lady. There’s also a longer sequence fascinating Salieri’s visit to Mozart comissioning the “Requiem”. Most of the material adds to the power of the film while a few sequences impartial give additional benefit fable on various characters. The unusual theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour “Director’s Lop”. Forman also provide a though-provoking commentary track for the film along with writer Peter Shaffer (“Equus”) .

The image quality for the “Director’s Slit” is safe to the fresh theatrical version. The film was restored to its unusual luster for re-release resulting in distinguished more natural flesh tones and a sharper visual image as well. The colors which play in principal section in conveying the themes of each sequence are more robust and incandescent. The theatrical version looks quite worthy although it was first issued on DVD as a “flipper” (meaning you had to flip it over) DVD after roughly two hours to recognize the last third of the movie. The enormous advantage for the theatrical version is Neville Mariner’s net on an isolated track.

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The second disc of the “Director’s Chop” has one terrific extra, a brief talent list and the unusual theatrical trailer. The noble behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer’s stage play to the conceal. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it’s quite a few documentary as it is. There was plenty of room on the second disc to include Mariner’s isolated accumulate but the documentary is really all we fetch.

As to which is better–it’s a toss up. Both versions of the film work extremely well although I assume the “Director’s Slit” for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner come by of Mozart’s music that appeared on the current disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.

A anecdote of envy, lust and inflame “Amadeus” focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who serene his first fraction at the age of 4 and produced a remarkably great body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a considerable performance) . This is really Salieri’s epic as his jealousy drives him to extinguish Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart’s music, he can’t serve but want to raze its creator. Salieri’s quaint compositions can’t own a candle to Mozart’s complex, unique and smart pieces.

Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow (“Three Weddings and a Funeral”), the only performer that doesn’t do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly unprejudiced prior to shooting. The handsome production acquire, cinematography and spirited direction perform “Amadeus: The Director’s Prick” an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer (“Equus”), a grand 30 shrimp documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the current film elements, the film hasn’t looked this robust and shining in quite some time. The digital anamorphic transfer looks genuine and almost rich enough to eat. This version doesn’t replace the fresh theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.

Highly recommended, this examination of the destructive power of jealousy aloof resonates with power, passion and extraordinary music. If you’re not an opera buff, I’d suggest skipping this for, while the film is considerable, share of the power comes from appreciating the music that Mozart wrote. We view a lot of excerpts from a variety of Mozart’s operas throughout the movie. Whichever version of the movie you determine, you’ll positive to be contented. I’d give the “Director’s Slit” a cramped edge for better describe.
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